A Quote by Chamillionaire
I mean honestly, anybody can diss me. I remember 50 Cent said something and everybody was like you need to get at 50 and I was like, 'Whatever, I'm in a whole different place in my life.' It's gon' have to take something really, really serious for me to start putting that much negative energy into the world again.
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I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.
When my parents realized that what I liked was fashion, they gave me good advice. I remember my father telling me that I should try to do an internship. They never said, "This is a world we don't know; it might be something strange," or "That is not serious," or things like that. They always said, "Try. We'll help you. We'll send drawings to people if you want. We'll write letters for you." What I'm very thankful for is they never made me think that something was impossible. They were really, really supportive. They are still.
I start to get the feeling that something is really wrong. Like all the drugs put together – the lithium, the Prozac, the desipramine, and Desyrel that I take to sleep at night – can no longer combat whatever it is that was wrong with me in the first place. I feel like a defective model.
I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
If you look at somebody like 50 Cent, ain't nobody telling 50 what to do and how to do what he does. He has a vision of who he wants to be, and he instructs everybody along those lines.
People say, 'Grimm, you've been shot like 50.
So why don't you just rhyme like 50?
Then, you could get the money like 50,
Otherwise, before you see success...you'll be 50.'
I remember when I was first starting out in the late 50's, and everybody at that time said rock 'n roll was gonna die. I was 15 years old when I started, and I certainly didn't believe that was true. I thought anything that feels this good and makes me want to tap my foot like this can't be a passing fad like everybody says. Of course, they were wrong, and here we are in the 90's and it's alive and well, and getting programmed all over the country, and really all over the world. So it's been a great journey.
I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.
People who are homeless, they're not all addicts. A lot of times, they're just people who, through something like losing their job or losing someone in their life, ended up on the streets. So much of our time is spent in cars that sometimes you need to look out of those windows. And you see that a dollar, 50 cents, whatever you have, may not mean much to you, but it means everything to people who are hungry and who are in need.
Unless you can point to something that I have done or said that has changed the course of the public opinion in a negative way, you've got to check yourself sometimes and say, "Maybe I don't like the way that this thing is said, but it's expanding tolerance." If I said something that was shutting down something that was positive, call me out, but I don't really see me doing that.
I used to obsess on critical reactions to my films, and it's really not a healthy way to live your life, so my new take on it is simply, 'I hope people like it!' I'm not going to be looking at the tomato meter for at least a year! I was very lucky on '50/50' that most critics really liked it.
I can honestly say and swear on my patch that I have never in my life hurt anybody that I really didn't feel had it coming, because they was either trying to hurt me or my friends. If everybody was like that it [life] would be real different.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
The 50-50-90 rule: Anytime you have a 50-50 chance of getting something right, there's a 90% probability you'll get it wrong.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
The level of musicianship in New York is the highest in the world. It's tough to get into. You start gigging making 50 dollars a night, or playing for nothing to get to something. It's insane. It's like being a modern dancer, or something - the hardest thing to make money from.
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