A Quote by Chamillionaire
Weird Al is not gonna do a parody of your song if you're not doing it big.
Related Quotes
At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.
Most young comedians would be lying to say that they weren't huge Weird Al fans when they were kids. Weird Al is probably the first person I ever realized had a career that was just making jokes.
It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.
Cowriting is very personal. A great song is an honest song, so you have to be able to open up to the person in the room. It's like a blind date. I know in the first five minutes if it's gonna be weird.
Sometimes you're gonna write a song and it's not gonna be right from the beginning. And you're just gonna have to work through that wall. But if you know something is there, you've gotta just keep doing it until you get it right. So, I'll work on a song for three months if I have to, to get it right.
I think this whole celebrity world is weird anyway. Weird and funny and kind of pathetic and yet so right for parody.
I think there are barriers, but I think for me specifically, my barrier is being rejected from the kind of hip-hop elitists that think I'm not appropriating it, but just not serious about it. They think I'm a Lonely Island, Weird Al, you know - like a parody rapper. So that alienates me from a lot of things.
Dear old al-Maarri was a great skeptic poet. He wrote a parody of the Koran, and his friends would tease him and say, "al-Maarri, but no one says your Koran." And he said, "Yes, but give me time. Give me time. If people recite it for twenty years it will become as popular as the other one."
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
I hadn't been onstage in a while. The last time was pre-children. And before I went on [at Roseland], my kids were backstage, and I thought, This isn't how I usually do it. I've got kids, and I'm thinking, This is weird. It's weird juggling children on your knee while you're in your rhinestone outfit. And I'm thinking, Okay, I'm gonna go out and do a show and I'm gonna be Superwoman! But I'm not really, `cause I'm a mom. It's all very strange.
There is a clear difference between sexist parody and parody of sexism. Sexist parody encourages the players to mock and trivialize gender issues while parody of sexism disrupts the status quo and undermines regressive gender conventions.
I made the decision (that), if I was gonna do this, I was gonna do it 100% because before in my life I had been an entrepreneur. It was weird. I would wake up in the morning (saying) "You know what? I'm gonna do this." (I'd) set out (and) in three months (I'd) have a new business on its way. I didn't stop and think about the repercussions of anything. I just did it. I moved forward in doing it to succeed.
It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
There is no way I will survive Mike Pence doing Carpool Karaoke. What song's he gonna sing? 'I Deported Your Grandmother?'
It's hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.
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