A Quote by Champ Bailey

I don't worry about getting tired. I try not to let it guide me as far as how much I'm going to play. I play with my heart. — © Champ Bailey
I don't worry about getting tired. I try not to let it guide me as far as how much I'm going to play. I play with my heart.
How can you wonder what's going to happen when you don't know who's going to be the new guy in town? It's the age-old thing - it's such a cliché - but why worry about things you have no control over? What I can do is try to get this club to continue to play well. That's all I can do.
Back home, if you get scored on, you're the weak link. When I started getting good, they were like, 'If you're going to play on our team when we go play pick-up, and you start getting scored on, we're not going to let you play anymore.' I started learning how to help other people out with my defense.
I just try to play with more focus on myself; I don't worry too much about the other things that maybe gave me too much pressure in the past.
To me, every play counts. To me, how I play in individuals, how I play in practice, that's how I'm going to play in the game.
What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.
I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.
And as long as your cats is loyal to what y'all are standing for, and they know how to play the game, it should be no way you can lose. It's about compromising; it's about respecting one another's position, and about going with your heart as far as what you believe in.
The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.
I just play the music that I'm gonna play and don't really worry about how people perceive it.
When it's time to play, I'm going to come play. I'm going to play the right way. I'm going to try to help my team in all directions, blocking and catching. If I don't have the ball in my hand, I'm going to protect, block down the field. I'm going to do whatever it takes to win.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
I do remember, one time, a man came to me after the students began to work in Mississippi and he said the white people were getting tired and they were getting tense and anything might happen. Well, I asked him "how long he thinks we had been getting tired"? I have been tired for 46 years and my parents was tired before me and their parents were tired, and I have always wanted to do something that would help some of the things I would see going on among Negroes that I didn't like and I don't like now.
My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
Whenever you play dance music, it serves a function. It becomes a utility; you have to worry about the tempos and what you're going to play for people. But when you're playing for listening, you're free.
When I play my own music, or when I play new music, there's much more stress and intensity of thinking about how I'm going to make it work!
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