A Quote by Chance The Rapper

When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it - they all look like Chief Keef. When it comes to the point that, you know, that kids who are doing the killings, and they're kids 13 to 19 years old, and you can replicate that in New Orleans, you can replicate that in Oakland. All the kids look the same.
Back in those days, all us skinny white British kids were trying to look cool and sound black. And there was Hendrix, the ultimate in black cool. Everything he did was natural and perfect.
The first song I did was over a Chief Keef beat - 'Understand Me.' I did that in, like, 2011 or 2012, I think.
The first song I did was over a Chief Keef beat - Understand Me. I did that in, like, 2011 or 2012, I think.
Magic was a thing that, when I did it, it made all the kids go, "Ah, that's cool."
I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.
My kids teased me at dinner that I'm not cool. I told them if I was cool I wouldn't be sitting at home with my kids. Pass the gravy.
When I was playing in Seattle and Orlando, I did a lot of work with the Ronald McDonald House. I've always had a special thing for kids, and I know how important it is for kids to have good role models. They push us to that next level.
If I hadn't gone towards boxing, I might have been one of those kids getting into trouble. A lot of my friends did. They were clever kids at school, but they just went down the wrong path.
When the Chicago rap scene came about, I listened to all of the upcoming artists like Lil Durk, Chief Keef and G Herbo.
Statistically, Portland, Oregon has the most street kids, like kids that run away from home and live on the street. Its like a whole culture thing there. If you walk around on the streets, there are kids living on the streets, begging for money, but its almost like a cool thing. They all just sit around and play music and squat.
I represent the kids who come from nothing but who understand it all and love it all. That's what I represent - those are the cool kids, you know, the kids of tomorrow, because who would've known that I'd be who I am today? We are the kids of tomorrow.
After 'Big Daddy,' it was really slow. We weren't booking a lot, and we did a little bit here and there, but, you know, we basically went back to school, did what normal kids do.
There aren't a lot of female story artists, and it's baffling to me. There are a lot of kids in school that are female and I wonder, 'Where did they all go?' People have brought it up, asking me, 'What did you do?' I don't really know. I puttered along, did my thing and gender has really never been an issue.
I wasn't one of those kids who was like, 'I want to be an actor.' It wasn't in my wheelhouse at all. I wasn't from a family that did this or in a place where people did this.
When the boomers started to have kids reach adolescence, there was suddenly this feeling that they needed to protect their kids from all the same things they did when they were kids. Which I guess is a natural tendency, but it makes for a less fun society.
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