A Quote by Chance The Rapper

I don't really have control over my direct impression on people anymore. I used to be the person putting my CD in people's hands. But I'm kind of a mainstream artist now. Not by choice.
I definitely believe that the power of the artist is in the artist's hands now. We're kind of in the wild, wild west of music where labels don't exist anymore. And you go as far as you take yourself. And that's that American self-determination that is one of the reasons this country is so great and can survive on autopilot right now.
But though Usury is in itself immoral, and justly condemned by every ethical code, its chief and worst defect in the particular case we are now examining, the growth of Capitalism and its increasing proletariat, is the centralization of irresponsible control over the lives of men: the putting power over the proletariat into the hands of a few who can direct the loans of currency and credit without which that proletariat could not be fed and clothed and maintained in work.
Sometimes you have to listen to a CD over and over before you really get it, but as soon as I heard the first note of R&B artist Chrisette Michele's debut CD, I was blown away. Her voice is playful but pretty, light but strong - the woman's got soul.
Recorded music is basically free now. I used to tour to promote a CD, but now I make a CD to promote a tour. I've moved on and live with the new reality, but I do get frustrated when people do dumb things.
It occurred to me that when a person chooses certain behaviors, they have complete, 100% control over their choices. But once the behavior is chosen, therein lies the extent of the effects of that choice. One has 0% control over what happens to them or to their body as a result of that choice. You can choose how you respond to the consequences, but control is relinquished. Choose carefully!
I really don't like going out anymore. I used to love it, but now it's not fun. I'd rather have friends come over and hot have to worry about crazy people taking pictures.
Control over the use of one's ideas really constitutes control over other people's lives; and it is usually used to make their lives more difficult.
Just in terms of being able to be a professional artist, but also it's nice to not have to dread introductions. "What you do for a living?" It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics, but not the kind of comics that they were used to, and no, it's not pornography, etc. And now people even of our parents' generation are familiar with the term "graphic novel," which is kind of amazing.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
I really like writing music. That's kind of like my little hobby. I like that because sometimes you don't really have any control when you're an actor, over what you're doing next, and everything is kind of decided by other people. You're always waiting to hear from people.
My hands are huge. When I was on 'Scrubs,' Zach Braff used to make fun of them all the time. And now I made some list. I guess Jennifer Garner is on the top of the list for best hands and I'm fourth down. But that's for people who really like an NBA star's hands.
You're never in control. That - that is the greatest fallacy of the - you know, there's over 200 people that it requires to make a film. And there's people who are in control of how you look, what your performance is, what takes are used, what - you're only in control of how you say no.
Many people have mixed views about unions, but unions used to give people some measure of control at work. They gave them a social life and political representation in Washington, which doesn't really exist anymore.
Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.
You know, putting power in people's hands was the central idea of the conservative platform. And so, to me, the E.U. was the direct opposite of that, and totally inconsistent.
Mainstream media has convinced people that black people aren't relatable. So when a Jewish person comes up to me and is all, 'Oh man, I love that one scene from Episode 3, I watch it over and over again,' I'm so happy. Because that's what I want.
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