A Quote by Chandra Wilson

While I was at NYU, I did a play at The Public called 'The Forbidden City,' where I went in as an understudy and got my Equity card. — © Chandra Wilson
While I was at NYU, I did a play at The Public called 'The Forbidden City,' where I went in as an understudy and got my Equity card.
I was the understudy to the understudy in a year-two production of 'Big Chief Red Feather.' The boy who had the lead broke his arm, and then the understudy got chicken pox. And I loved it. I got to wear the most feathers in my headdress.
I was doing this children's theater play, and it was non-Equity. We were out of town to do it at the Kennedy Center, and it was always kind of, 'Well, the producers may have to turn this into Equity,' and that's what happened. It was kind of a silly children's theater play, but that's how I got my card.
I got my Equity card right out of NYU grad school in 2000, doing 'The Great White Hope' at Arena Stage. I played Jack Jefferson. It was an amazing part to walk into, to carry that responsibility for that amount of time. The challenges and the breadth of that role were pretty amazing.
I got my Equity card from an audition out of Backstage. We did 'Guys and Dolls' and 'Kismet.'
I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.
I remember when I got my Equity card doing the Scottish play at the Public Theater with Angela Bassett and Alec Baldwin. Alec thought I should just be Butler Harner, but I thought it would make people laugh if they had to call me Butler.
I'm always surprised that I get called to work. I always feel the way I felt when I was 24 or 25 trying to get a job. I'm amazed I have my SAG card and my Equity card.
I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.
I got my Equity card playing Helena in 'A Midsummer Night's Dream,' and I think that's the first job I got that was an offer.
I always did plays, and when I went to NYU - and I didn't go to Tisch, the theater school, because I was like, 'Well, acting's not realistic. You can't make a career out of it.' So I just studied general studies and humanities at NYU, but I was doing plays while I was there. So I was sort of cheating.
Mike Nichols got me my Equity card.
I got my Equity card at 24 at the Guthrie Theatre in Minneapolis, and they asked me to join the company. I was content and happy working in the company there for a long while until I really started to feel as if I hit a bit of a glass ceiling artistically.
I got my equity card, found my agent, and then I got a part on 'Gilmore Girls.' That turned into a job that kept giving - they wrote more for me.
I got my Equity card and agent before I ever went to drama school.
I went to college at NYU for acting, since acting was my dream from very young. I did a lot of hip-hop courses while I was there. I helped co-write a hip-hop production for the main stage of NYU, but I never touched rap.
I got my Actors' Equity card officially by playing Nana the dog in 'Peter Pan' at the Alabama Shakespeare Festival. That was the first show I did as a full-fledged, dues-paying member; I earned points in my MFA program, then went into the company after I graduated.
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