A Quote by Chandra Wilson

I'm trying to learn things behind the camera and what a producer does and shadowing the directors. — © Chandra Wilson
I'm trying to learn things behind the camera and what a producer does and shadowing the directors.
I am not trying to be one of those sadistic, Kubrickian directors who is trying to make these tensions any worse or exploit them, but... the camera sees what the camera sees.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
Shadowing is really a great way to learn how the entire TV-making mechanism works. I had the distinct pleasure of shadowing the gifted and talented Allison Anders, who taught me a great deal about the importance of collaboration and trusting the talent around you.
I was on 'The O.C.' and had a small part, which wasn't very challenging. I was a bit bored, so I started shadowing directors and they finally gave me a shot. From there, it led to directing other television shows. I am trying to direct a feature film, so we'll see what happens.
I realized the exciting place was behind the camera with the producer, director and so on.
I think that women are underrepresented behind the camera as directors.
Some people are directors and I think they should stay behind the camera.
When I'm working behind a camera, I feel like I'm trying to achieve something like a jazz musician does.
I do films to be behind the camera, not in front of the camera. I'm sure I say very intimate things about myself in all my films, but it's better to say it not too directly, to be hidden behind a woman.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
A lot of nepotism that exists, actually, exists outside this industry because in this industry, behind the camera a director's son becomes a director and a producer's son becomes a producer and that is still understandable that they are carrying their legacy but for actors, it is very very different.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
It's been so great being on 'American Horror Story' and 'Scream Queens' because there were some days when I didn't work, and I would spend my time shadowing directors.
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