A Quote by Chang-Rae Lee

I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written." — © Chang-Rae Lee
I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."
D.N.A. sequences change by mutations, and the idea behind the molecular clock is that those changes occur at, more or less, a constant rate, over time.
I think if an actor is right for a role, casting sees that, and the words that are on the page, depending on how it's written, can really help your character develop.
I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring.
I think, for me, the biggest issue is poverty in general, poverty in this time of plenty. It's reflected in homelessness. It's reflected in educational gaps. It's reflected in racial disparities.
All of the characters on 'Doom Patrol' explore traumatic pasts, how to deal with those pasts, and how that affects their present and their future.
I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.
Britain's political voice depends on our role as a leading and influential member of the E.U. If we leave, we are of less value to our allies and of less concern to our enemies. We need the strongest voice we can get in the dangerous modern world.
The faculty of memory cannot be separated from the imagination. They go hand in hand. To one degree or another, we all invent our personal pasts. And for most of us those pasts are built from emotionally colored memories.
When women are starting out in their careers, they tend to be confident and look to aspire to leadership role and really want those positions. But then over time, as they advance, they become less confident and don't think they can attain those roles.
The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.
Going as far back as 'Dexter's Lab,' we've always had these sequences with no dialogue. The interesting thing is those sequences got the biggest reactions.
The written word is all that stands between memory and oblivion. Without books as our anchors, we are cast adrift, neither teaching nor learning. They are windows on the past, mirrors on the present, and prisms reflected all possible futures. Books are lighthouses erected on the dark sea of time.
People have reflected on the quality of time ever since they've been writing. I suppose I have thought about and written about the question of living in the present - but it only lasts for an instant, and then everything becomes the past. The future, you know nothing about, except for some anticipations you have.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
Some of my best friends here in New York have pasts I have a hard time reconciling with the people I'm close to now. But I wouldn't change them - or their pasts - for anything in the world. Their experiences are what made them the people they are today.
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