A Quote by Chang-Rae Lee

For me, that's always been one of the great charms of the first person: we gain access to a very personal, private kind of music. — © Chang-Rae Lee
For me, that's always been one of the great charms of the first person: we gain access to a very personal, private kind of music.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
I'm a very private person. Very private. You know, I've lived my entire life in a fishbowl, so it was important for me to keep my personal life private because people can't talk about what they don't know.
I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.
I'm not one of those people that has to share personal experiences. That's not really the kind of writer I am. I'm a very private person to begin with.
Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
I think in the first place hearing the music inside of you is very soothing, very comforting. For me there always been, if you like, a spiritual connection between myself and music.
I don't have the same access or time to gain access to music the way I used to.
Europe in general is a great place for me, but specifically Germany has been very good to me. Germans love classical music... Electronic dance music is massive over there, so I'm kind of the marriage between the two.
But for me, my personal relations, my personal family relations, are very important, and we've always tried to make sure that the public and the private are kept separate.
I want to let my fans get to know a little about me. I'm very thankful for everything they've done for me so, of course, I'm going to let them into my world a bit. But I really am a very private person, and I love kepping my life to myself - that's how I've always been.
I've always been a very private person.
I'm not a big fan of that kind of stuff - of Twitter and Facebook. I just feel like I'm a very private person and I do enjoy personal interaction. It is nice to be able to talk with the fans, in person. I don't know if it's 'cause I'm just old-fashioned, but I'd rather a face-to-face conversation.
I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
Moonlight is very honest and very special to me. I feel like this is the most personal music I've made, by far. I'm very proud of it and I'm very excited. It's scary...it's vulnerable and kind of terrifying.
I've always been a pretty private, quiet kind of person and so I haven't had to change my life really at all, I don't think.
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