A Quote by Chang-Rae Lee

We read and remember certain writers because they offer distinctive voices and perspectives, because they've given themselves over completely and passionately to their obsessions while vigorously ignoring everything else.
I'll read pretty much anywhere and anytime, but for a while now, I've really enjoyed reading on flights, especially the longer hauls, when I'm unplugged from everything and can completely immerse myself in the world of a book and submit happily to its rhythms, perspectives, ideas.
I was given a dictionary when I was seven, and I read it because I had nothing else to read. I read it the way you read a book.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
We don't remember everything that happens to us on a given day: sometimes, we remember something simply because it's emotional, while, at other times, we work our way through mundane details to figure out why something matters.
Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
People have proven over and over that they will read if they are given something they like. The problem with reading is not reading, its that almost everything out there sucks. For so long, publishing has been run by a cartel of snobby pseudo-intellectual failed writers, and the resulting output has reflected not what the market wants, but what they think people are supposed to read.
Read, but not to remember everything. Read because that 1% that you remember has the potential to change your life.
You know how people are becoming sexually active way too early because they think it's going to be like it is in the movies. And people are not aware of their bodies in a certain way, because they are afraid to see themselves for who they are because they want to see themselves in someone else's shoes or whatever.
TV is the place that writers want to be. When you don't have a very strong indie market going on, talented writers want to have their voice heard, so they'll go somewhere else, and everyone goes to TV because their voices are heard.
If no one speaks out for [young readers], if they don’t speak out for themselves, all they’ll get for required reading will be the most bland books available. Instead of finding the information they need at the library, instead of finding novels that illuminate life, they will find only those materials to which nobody could possibly object... In this age of censorship I mourn the loss of books that will never be written, I mourn the voices that will be silenced — writers’ voices, teachers’ voices, students’ voices — and all because of fear.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
The only reason I remembered this play was because it had a mad person in it, and everything I had ever read about mad people stuck in my mind, while everything else flew out.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right.
Cheers was one of the first shows where I paid attention to the writers because their [work] was better than everything else I was watching. The writers weren't afraid to let a joke fall slightly flat if it advanced the characters.
I think fiction writers write what they do because no one else has written it and they want to read it.
As a reader, I do not like to have everything handed to me. Because after a while it gets formulaic and I'm thinking, "If this is so thought through, then why do I need to read it. It's done!" It becomes a beach book at a certain point.
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