A Quote by Chang-Rae Lee

As for what's the most challenging aspect of teaching, it's convincing younger writers of the importance of reading widely and passionately. — © Chang-Rae Lee
As for what's the most challenging aspect of teaching, it's convincing younger writers of the importance of reading widely and passionately.
I just preach the importance of reading, the importance of learning and challenging yourself to be the best you can be in life, whatever it is you do.
I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.
Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.
Ultimately the most challenging thing, always, is to just be convincing
Though not all reading children grow up to be writers, I take it that most creative writers must in their day have been reading children.
Feminism is teaching. I've gotten a lot of pleasure pushing younger writers that I've met and worked with.
Most people's major life changes don't come from reading an article in the newspaper; they come from reading longer-form essays or thoughtful books, which are much more convincing and detailed.
Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.
I read continually and don't understand writers who say they don't read while working on a book. For a start, a book takes me about two years to write, so there's no way I am depriving myself of reading during that time. Another thing is that reading other writers is continually inspiring - reading great writers reminds you how hard you have to work.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
I believe you have to write every day–make the time. It’s about having an organized mind instead of a chaotic and untidy one. There is a myth that writers are bohemian and do what they like in their own way. Real writers are the most organized people on the planet. You have to be. You’re doing the work and running your own business as well. It’s an incredibly organized state. [Also reading]…one of the things reading does do is discipline your mind. There are no writers who are not readers.
British cookbook author Elizabeth David led the most adventurous life but is widely credited with bringing to the fore the importance of home cooking.
... teaching cannot be a process of transference of knowledge from the one teaching to the learner. This is the mechanical transference from which results machinelike memorization, which I have already criticized. Critical study correlates with teaching that is equally critical, which necessarily demands a critical way of comprehending and of realizing the reading of the word and that of the world, the reading of text and of context.
Even [Ernst] Hemingway, perhaps the most intentionally non-political of American writers, became passionately partisan during the Spanish Civil War.
We spend all our time teaching reading and writing. We spend absolutely no time at all, in most schools, teaching either speaking or, more importantly still, listening.
No human being, even the most passionately loved and passionately loving, is ever in our possession.
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