A Quote by Channing Frye
Something I've come to really admire about Kyrie is that he's always computing out there - he's logging everything that happens, and since nobody can guard him, that's scary to think about.
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It seems like it happens pretty often - there's always something that happens that's bad. About 40 percent of the food I make doesn't come out so good, only because I'm experimenting and it just doesn't work out right. It's always a learning experience.
I think if a horror movie is really scary, you'll think about it for weeks, and there's something kind of fun about that - about our art, really.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
Who do I think was the greatest? This might shock you: Elgin Baylor. He did so many great things. Nobody could guard him, playing in the forward spot. I'd love to see some of today's greats playing against Elgin. They couldn't guard him. Nobody could.
When I think about defending Kyrie, I think about respect. His shooting percentages were close to 50/40/90 as a 19-year-old rookie. When you come into this league with numbers like that, defenders have to respect your jumper.
That's what happens in a good horror movie: there are always metaphors of greater subjects like humanity and empathy and compassion. It's not about the action and scary moments: You really care about these characters because they're mirrors of our own reflections.
The future has to do with fear. Don't attempt to come up here. Don't attempt to go forward, you were nobody, you are nobody, and you'll always be nothing, so don't even think about coming here because if you do, something awful will happen to you.
Dear Diary, Today I tried not to think about Mr. Knightly. I tried not to think about him when I discussed the menu with Cook... I tried not to think about him in the garden where I thrice plucked the petals off a daisy to ascertain his feelings for Harriet. I don't think we should keep daisies in the garden, they really are a drab little flower. And I tried not to think about him when I went to bed, but something had to be done.
I think that you are what you speak a lot of times, and there's power in the tongue. I feel sorry for the people who always have something negative to say. If something happens bad in my day, I don't tweet about it - I pray about it, or talk to my husband about it or my mother about it, and get it off of me and move on.
I think since I was in drama school, I wanted to direct in the theatre. When you are an actor, you just have to open your eyes and you start to learn a lot about how to survive on set and what's important and how to tell a story. Directing is really about putting yourself out there, to be slapped in a way. You know that in the kitchen, you're gonna get burned. It's very scary but very exciting as well. If you have something to say, you have nothing to lose and you probably learn from the experience.
I was born and raised in Pretoria. Nobody ever really talked about Santa because the whole concept just didn't make sense to us. Think about what South Africa looks like: I mean, we don't even have any chimneys for him to come down!
It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.
The thing that amazes me about getting fired is that nobody ever has anything insightful to say about it. They always say the same thing. They always say, 'Everything happens for a reason.' As lame as that sounds, I guess it’s better to hear it out loud. Because when you hear it in your own head, it sounds like, 'Anything can happen with a razor.
People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way.
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