A Quote by Channing Tatum
I see caring for somebody as a creative outlet. I like drawing little faces and writing little stories and hiding them in places. I don't think it's that hard to be thoughtful, especially when you do care about the person.
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I never thought about writing. I was married young, I was still in college, as we did then, and I had two babies before I was 25, and I loved them, and I loved taking care of them, but I was a little bit cuckoo, staying at home and not having a creative outlet.
I care very much what the fans think. I'm starting to loosen my grip on caring about what critics say, because I think that critics care about what fans think of them, too, so there's a little bit of a refraction there, through that glass.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
It's always a huge red flag for me when somebody's reticent or reluctant or a little slow in providing thoughtful references that are a testament to them as a person and their professional accomplishments.
For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.
It's much easier to teach writing, because people are less shy about writing. If they're in a group, nobody can see what they're writing. When you're drawing, people get a little more nervous.
Wrestling is more of a creative outlet, and especially for somebody like me, I view it as my creative outlet. Not all WWE superstars and not all wrestlers view it that way, but that's how I view it, and that's one of the ways my mind works creatively.
Writing is powerful. Whether it's a little girl hiding from the Nazis in an attic, or Amnesty International writing letters on behalf of political prisoners, the power of telling stories is usually what causes change.
I think of how people can betray me simply by not caring enough to hide the fact of how little they care.I think of how the person who needs the other person the least in a relationship is the stronger member.
As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do.
I wrote some weird magical realism stories that are probably on some hard drive somewhere, and if I ever uncover that hard drive, I'll burn it. I tried to do a little bit of writing while I was in Iraq, but it wasn't the really greatest space for creative production.
One of my beliefs as a filmmaker is that if you can make somebody laugh, you can make them listen. With laughter, you can get somebody's guard down, you can open them up to listening to you. They don't feel like they're being preached to or talked down to. I think it helps, it makes really hard to understand information a little more accessible and palatable. And at the end of the day, it makes a movie a little more fun. It doesn't feel so heavy handed.
I don't see makeup as a defense. I see it as a creative outlet. I am a woman who has my extreme vulnerable side and my baggage--and at times I feel extremely weak. And who's to say a little mascara doesn't make you feel more confident when you pop it on and look in the mirror? It helps, especially in my position, where I have people waiting down the street to take pictures of me so they can evaluate and criticize every little flaw on my face.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
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