A Quote by Chantal Kreviazuk

I seem to have secured some place in world of music and that's kind of all that really matters to me. — © Chantal Kreviazuk
I seem to have secured some place in world of music and that's kind of all that really matters to me.
Who I am really doesn't matter at all. If I'm the worst person in the world, you can hate me and move on. What really matters here are the issues. What really matters here is the kind of government we want, the kind of Internet we want, the kind of relationship between people and societies.
We’re really lucky to live in a planet that has so much music. We could be living in some bland planet that had no music, no movies, no books, just a bunch of people going around having jobs and things like that. To me that would be a really miserable place, you know, to me music is what makes this world a really fun place to be, you know?
The fact of the matter is, is that we need our borders secured. Certainly, we realize that there's going to have to be some kind of immigration reform, but I don't believe any of that's going to move forward until our border is secured.
I think what people really want is fiction that in some tiny way makes their life more meaningful and makes the world seem like a richer place. The world is awfully short on joy and richness, and I think to some extent it’s the fiction writer’s job to salvage some of that and to give it to us in ways that we can believe in.
I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.
I was really passionate about bringing party music to the world, so I will always be making some kind of party music.
I guess it's kind of the obvious thing for me to do 'cuz it's what I grew up listening to. The songs growing up and everything kind of seem like old music to them, but to me, it's just... good music. And of course I did grow up in England in the 21st Century and that does come into it as well.
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
I put up with the music business because I understand that I'm in the tradition, I'm in a tradition that's of far greater importance than the business I seem to be in. Everywhere I go in the world, people ask me about the business that I seem to be in, but I'm not really in that business.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
My kitchen is a mystical place, a kind of temple for me. It is a place where the surfaces seem to have significance, where the sounds and odors carry meaning that transfers from the past and bridges to the future.
In the pre-capitalist world, everyone had a place. It might not have been a very nice place, even maybe a horrible place, but at least they had some place in the spectrum of the society and they had some kind of a right to live in the place. Now that's inconsistent with capitalism, which denies the right to live. You have only the right to remain on the labour market.
I really don't. I have truly eclectic taste in music and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; World Music, Brit-pop, Classic Rock, Blues/Jazz, even the odd bit of Heavy metal.
The roads by which men arrive at their insights into celestial matters seem to me almost as worthy of wonder as those matters in themselves.
As I travel around the world, I'm realizing that every place I go influences me in some kind of way.
I also see the world of religion. I see some of my brothers and sisters trying to be religious without being fully human. They seem a little rigid and narrow at times, wanting to be holy, but not human. They seem to be winning a place in heaven, without realizing or enjoying the beauty of earth. They keep the ten commandments, but their observances look so joyless. Such a world seems small and the air in that world is stale.
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