A Quote by Chantal Kreviazuk

Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.
Maybe the American Dream is too rich for us now in the U.S. Maybe we're losing it because we are not like our Swedish grandmother who came across the plains, hacked down the trees, and took the Spanish words she encountered and made them hers. Now her great-great-grandchildren sit terrified, wondering what to do with all these Mexicans. The American Dream is an impossible affirmation of possibility. And maybe native-born Americans don't have it anymore. Maybe it has run through their fingers.
The Yardbirds came in to the Crawdaddy Club a week after the Stones finished their Sunday night residency. They had done it for almost a year, I think, and then we did it for a year. It was better when they were playing there because when they went they took half the crowd with them and it took us quite a while to build up our own following.
I'm sure you're gonna be taught, if you haven't already, that the people that were here, the Native Americans were beautiful, they were wonderful, they were at one with nature, and these evil white Europeans like Columbus came in and killed them and took them, imprisoned them, stole what was theirs, took it for ourselves.
Maybe I didn't treat you Quite as good as I should have Maybe I didn't love you Quite as often as I could have Little things I should have said and done I just never took the time You were always on my mind You were always on my mind
The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.
I've done shows where I was the lead, but maybe it wasn't quite right - I took them because I wanted to move my career on.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
I'd always wanted to do an R&B and soul record; a friend with a studio asked to come by and record a couple of songs, maybe just make a 45. Then the songs started to pour out, and pretty soon we had eight or 10 songs down.
Maybe [artistry] doesn't have to be quite so full of anguish if you never happened to believe, in the first place, that the most extraordinary aspects of your being came from you. But maybe if you just believed that they were on loan to you from some unimaginable source for some exquisite portion of your life to be passed along when you're finished ... it starts to change everything.
I always thought my questions were wrong questions because no one else asked them. Maybe no one thought of them. Maybe darkness got there first. Maybe I am the first light touching a gulf of ignorance... Maybe my questions matter.
It was a very lucky set of incidents that led to Wham! getting a record contract - although we weren't Wham! when we got the record contract. We were nothing; we were just two friends who had written a few songs.
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
I had gotten up to two, maybe three, packs (of cigarettes) a day. And my lungs were bothering me and I'd had pneumonia two or three times. And I was also smoking pot, and I decided, well, one of them's got to go. And so I took a pack of Chesterfields and took all the Chesterfields out, rolled up 20 big fat ones and put it in there, and I haven't smoked a cigarette since then.
The only thing that I would say to anyone doing late night shows is - it took me a couple years then - but when you leave the studio, it's over. That's what you really have to do. After a long time, I would be like, "Maybe I shouldn't have said this," or "Maybe I shouldn't have shown this." But eventually, I got to, "Ah, f - k it." That's what it was that night, tomorrow's the next night.
I write songs. Then, I record them. And, later, maybe I perform them on stage. That's what I do. That's my job. Simple.
I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple.
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