A Quote by Chantal Kreviazuk
If certain songs become popular enough to the point where I'll be playing them the rest of my life, I don't want them all to dwell on the same down moment that I'll have to keep reliving.
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Sometimes I don't go into the studio for quite a while because I haven't found enough good songs. They have to have a certain caliber and connect with me because I'm going to be playing them for the rest of my life. I start off with a circle of friends whose songs I love anyway.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
When you are a child of the mountains yourself, you really belong to them. You need them. They become the faithful guardians of your life. If you cannot dwell on their lofty heights all your life, if you are in trouble, you want at least to look at them.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
No one imagines that a symphony is supposed to improve as it goes along, or that the whole object of playing is to reach the finale. The point of music is discovered in every moment of playing and listening to it. It is the same, I feel, with the greater part of our lives, and if we are unduly absorbed in improving them we may forget altogether to live them.
I just never really thought of not being involved, because when I write the songs I take them to a certain place and by that point I kinda know what I want them to sound like.
This moment and this chance, they are the same, and they are mine if I choose them,and I do. I want them. Now and as long as I can have them they are both precious and fleeting and gone in the blink of an eye, don't waste them. A moment and an opportunity and a life, all in the unseen tick of a clock holding me nowhere. My heart is beating. The walls are pale and quiet. I am surviving.
Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.
If you want physical peace, stop the struggle of life. Don't push the body beyond its fatigue point. Rest the body enough. Exercise it enough. Then let it be. ... If you want peace with others, don't fight them. Go your own way. Live your own life. If some walk with you, fine.
I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
The same music is playing on the radio in San Francisco, New York, Washington DC and Annapolis. Everywhere you go there's the same artists and same songs by them, over and over again. At some stations they play the same songs 50 to 60 times a week.
I want my records to be the most magnificent and glorious-sounding records, but also want them to be the most intense and fragile. And I want that all in the same ten-second bit of music. And it just takes a while to get there, and I don't write the songs and then go and record them, I write in the studio. So it takes a while to kind of piece them together and know that that's what I want it to be like. And I constantly throw the bits up in the air and see how they land, and eventually they kind of keep landing in the same place and that's where it stays.
Stuntmen don't have a lavish life. They are such hard working people, but not respected enough. And I don't like that. If I become something in my life, I want to give them a better life, take them to a higher level.
In the first year of a child's life we teach them to walk and talk. And then for the rest of their lives we want them to sit down and be quiet.
Oh sure, the songs have all totally evolved. I mean, when you're playing the same songs night in night out, they take on a life of their own. I can't even remember what I wrote some of them about now!
It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects that you hold dear. The others fade from your life entirely. You wanted them, but they did not want you in return.
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