It's been a difficult thing because some great opportunities have come and I've just been holding my breath and praying... I'm basically gambling hoping something will come along this season and if not, I don't know what the future holds.
You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideas come along, and I've had long dry spells. If I get an idea next week, I'll do something. If not, I won't do a damn thing.
It is clear the future holds great opportunities. It also holds pitfalls. The trick will be to avoid the pitfalls, seize the opportunities, and get back home by six o'clock.
The great thing about working on a genre show is that you can basically have a season finale where every character is left destroyed, and then hit the reset button and come back for the next season.
Sometimes great stuff comes quickly and sometimes it doesn't and you've got to dig in for the long haul, don't loose heart, and wait for something to come along. Which is something you learn the more you do it, that if it isn't coming straight away just hang in there and something will come.
She doesn't know I cry for the changing times. That just as I reread favourite books, some small part of me hoping for a different ending, I find myself hoping against hope that the war will never come. That this time, somehow, it will leave us be.
I don't know what the future holds, but I know that God holds tomorrow, so it is exciting. Even when I have hard things happen, He loves me so big, so much. I come through it and I grow from it, because He has got me.
People will love something very much or hate something very much. But the great thing about a sketch show is that if something comes along that you don't like, something else will come along in a minute that hopefully you might like that.
It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
I know this may come as a shock to most of you, but I've decided to quit acting. I will not be auditioning for anything anymore, and if I get offered something like a role in a movie or a commercial or something, I will graciously turn it down. It's been great, but its just not for me anymore.
I've been lucky. Opportunities don't often come along. So, when they do, you have to grab them.
Some people just look at opportunities and say, 'Maybe something better might come along; let's wait and see.' But you don't wait. You just grab it and go after it.
I set the bar high because I don't want to do just any other show just to keep working. I want to do something special that means something to people and speaks to them. Those kinds of opportunities don't come along all the time!
The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.
I've always been someone who can just move. Some people in L.A. are addicted. They have to be here; they come for pilot season and stay here.
But I've been blessed to have some great opportunities and have a great family that comes along for the ride.