A Quote by Charisma Carpenter

So I begged, half way into season two, for them to let me cut my hair. — © Charisma Carpenter
So I begged, half way into season two, for them to let me cut my hair.
As I accepted the change of the golden hair of my childhood to the reddish-brown hair of my youth without regret, so I also accept my silver hair-and I am ready to accept the time when my hair and the rest of my clay garment returns to the dust from which it came, while my spirit goes on to freer living. It is the season for my hair to be silver, and each season has its lessons to teach. Each season of life is wonderful if you have learned the lessons of the season before. It is only when you go on with lessons unlearned that you wish for a return.
People who work with me think I should cut my hair. They say casting directors are less likely to hire me with long hair - that they don't have imaginations and can't picture me looking normal. People literally have conference calls about my head when I'm not around. I mean, obviously I would cut my hair for an amazing part.
I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.
I loathe hair salons. People have always told me I am in the wrong business because I can't stand getting my hair cut or having it messed around with. Hairdressers feel as if they've got to be your shrinks. I just want them to do my hair so I can get out of there.
I wanted long hair my whole life. When I was a little kid, my mom would be like, 'We get our hair cut once a month.' So I just always got my hair cut.
The two times I have cut my hair shorter, I've ended up out of work - so short hair is not an option.
For one of my first TV jobs, I was required to cut my hair, dress a certain way, and wear a certain amount of makeup. I was even told to have my hair cut based on a picture in a magazine. I realized that until I complied, I wasn't going to get any airtime.
I had a really tragic cut at the beginning of Season 2 of 'Ally McBeal.' Someone convinced me that it would be good to layer my hair. I basically looked like Ronald McDonald.
Getting my hair cut is just a very special moment for me. I don't know exactly why, but it's such an intimate, almost religious experience. I'm very careful with who gets to cut my hair.
So I'm not crazy after all! I thought it looked good myself once I cut it all off. Not one guy likes it, though. They all tell me I look like a first grader or a concentration camp survivor. What's this thing that guys have for girls with long hair? Fascists, the whole bunch of them! Why do guys all think girls with long hair are the classiest, the sweetest, the most feminine? I mean, I myself know at least two hundred and fifty unclassy girls with long hair. Really.
I'm not a fan of these very cutty, handheld-y kind of films or TV shows, where a cut is just every half second or every two seconds, where you're desensitized to it. To me, a cut should say something and be impactful.
I have heterochromia, meaning that one eye has two split colours. It's a diagonal cut in half. It's amazing how many people don't know that until they meet me and we talk long enough for them to see it.
Every two months, I'll get a trim, and every two years, I'll get a cut. And my night ritual is that I go to sleep. I don't wrap my hair, I don't bun my hair, I don't do crap!
Long hair is a security blanket for me. I cut it short a few years ago and I really never want to do that again. When I do cut it, I cut it myself.
I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.
For books [Charles Darwin] had no respect, but merely considered them as tools to be worked with. ... he would cut a heavy book in half, to make it more convenient to hold. He used to boast that he had made Lyell publish the second edition of one of his books in two volumes, instead of in one, by telling him how ho had been obliged to cut it in half. ... his library was not ornamental, but was striking from being so evidently a working collection of books.
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