A Quote by Charlaine Harris

I could just envision Sam imagining that I wanted him to go out to the lake with me, only to be confronted by Jannalynn and whatever she thought of as a romantic dinner -- live rabbits they could chase together, maybe.
If only Sam could have stayed just like the Dog, she thought. A comforting friend without the complication of romantic interest.There had to be something she could do to completely discourage him, short of throwing up, or making herself totally unattractive. "I'm thirty-five," she said at last.
Maybe I don't need a relationship after all, she thought. Maybe thinking about these conversations was just as good as having them. She could sit in her Honda in the dark and experience whatever kind of life she wanted. Sometimes you think, Hey, maybe there's something else out there. But there really isn't. This is what being alive feels like, you know? The place doesn't matter. You just live.
It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
I stared into her eyes, wide under the thick fringe of lashes, and yearned for sleep. Not for oblivion, as I had before, not to escape boredom, but because I wanted to *dream*. Maybe, if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
When I thought I'd killed him, I felt more alone than I've felt in a long time. Like I couldn't stand walking through this city knowing he wasn't in it. Like somehow, as long as he was out there somewhere, if I was ever really in trouble, I knew where I could go and while maybe he wouldn't do exactly what I wanted him to do, he'd keep me alive. He'd get me through whatever it was to live another day.
He's laughing me into a stupor, she thought. I could heckle, I suppose, I could throw a bread roll at him, but he's eaten them all. She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show? Eat a meal, go to bed, fall in love with me and I promise you years and years of top notch material like this?
I felt tired for the first time, and I thought of us lying down on some grassy patch of SeaWorld together, me on my back and she on her side with her arm draped against me, her head on my shoulder, facing me. Not doing anything--just lying there together beneath the sky, the night here so well lit that it drowns out the stars. And maybe I could feel her breathe against my neck, and maybe we could just stay there until morning and then the people would walk past us as they came into the park, and they would see us and think that we were tourists, too, and we could just disappear into them.
I married him because he told me it was the only way he could protect me. If we were just manager and client, my family could do whatever they wanted to get me back, but if I was his wife, they couldn't.
Now that she decided she knew exactly what she wanted –him- she couldn’t wait to break the news. And if he didn’t want her, she could live with that – what she wouldn’t be able to live with was if she never told him.
She smiled, if he could see that, and waited for him to ask the real question. But he was silent. He wanted her to volunteer the story, she realized, and she could just as easily choose to say nothing. But he deserved to know. They all deserved it, and Kirra already knew it, and Cammon may have guessed it, because Cammon could read souls, but Tayse was the only one she would tell.
Isabel sends her brother a look that could boil him in oil if she had that particular paranormal talent. A thought hits me: maybe she has. It will be fun to find out.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
When she (my mother) passed away, I kind of understood the commitment that she made to make sure that I could stay in skating. And I wanted to live up to whatever I could. Not so much win everything, but just to be the best that I could possibly be, to honor her memory and everything she went through to make sure that I was given the opportunities to be the best that I can be. Not to be a world champion or an Olympic gold medalist, but to be the best that I could be. And that was the most important thing that ever happened in my career.
All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.
Then I saw Juli. She was two tables away from me, facing my direction. Only she wasn't looking at me. She was looking at Jon, her eyes all sparkly and laughing. My heart lurched. What was she laughing about? What were they talking about? How could she sit there and look so... beautiful? I felt myself spinning out of control. It was weird. Like I couldn't even steer my own body. I'd always thought Jon was pretty cool, but right then I wanted to go over and throw him across the room.
Maybe Liz was right and she'd wanted someplace safe. Maybe Mr. Solomon really did understand that running was the only way Macey would find out if we'd run after her. Or maybe, like me, she just wanted to disappear for a little while
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