A Quote by Charlaine Harris

It was beautiful Eric, who desired me, who was hungry for me, in a world that often let me know it could do very well without me. — © Charlaine Harris
It was beautiful Eric, who desired me, who was hungry for me, in a world that often let me know it could do very well without me.
Eric turned to me, kissed me on the lips very lightly, and looked at my face for a long moment. “He’ll spare you,” Eric said, and I understood he wasn’t really talking to me but to himself. “You’re too unique to waste.” And then he opened the door.
Dear God," she prayed, "let me be something every minute of every hour of my life. Let me be gay; let me be sad. Let me be cold; let me be warm. Let me be hungry...have too much to eat. Let me be ragged or well dressed. Let me be sincere - be deceitful. Let me be truthful; let me be a liar. Let me be honorable and let me sin. Only let me be something every blessed minute. And when I sleep, let me dream all the time so that not one little piece of living is ever lost.
Tell me I'm beautiful, it's nothing. Tell me I'm intellectual - I know it. Tell me I'm funny, and it's the greatest compliment in the world anyone could give me.
Tell me I'm beautiful, it's nothing. Tell me I'm intellectual - I know it. Tell me I'm funny and it's the greatest compliment in the world anyone could give me.
A beautiful and binding morning The world outside begins to breathe See clouds arriving without warning I need you here to shelter me. If I could make these moments endless If I could stop the winds of change If we just keep our eyes wide open Then everything would stay the same And I know that only time will tell me how We'll carry on without each other So keep me awake for every moment Give us more time to be this way We can't stay like this forever But I can have you next to me today
I had often sought for the peace there is in Christ, but I could not seem to find the freedom I desired. A terrible sadness rested on my heart. I could not think of anything I had done to cause me to feel sad; but it seemed to me that I was not good enough to enter Heaven, that such a thing would be altogether too much for me to expect.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...
I met a new girl at a barbecue, very pretty, a blond I think. I don't know, her hair was on fire, and all she talked about was herself. You know these kind of girls: 'I'm hot. I'm on fire. Me, me, me.' You know. 'Help me, put me out.' Come on, could we talk about me just a little bit?
If somebody, without knowing me, comes up to me and wants to upset or belittle me, I think that reflects badly on them, not me... if you're ever unsure of what to call me or someone like me, my name always does well.
Sometimes people will approach me on the street and ask me very personal questions about my dating life. Fans talk to me like they know me, and it's like, 'You don't know me. You know my character, but you really don't know me.'
Do you remember what you said to me once? That you could help me only by loving me? Well-you did love me for a moment; and it helped me. It has always helped me.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
There is another side to me which people don't often see, but it's very hard for me to show that. When I do interviews, I'm talking to people I don't know and when you speak to a stranger you don't open up, do you? In my position, people are always looking for something to say about me. And anything I do say, given half-a-chance they'll turn it round into something spectacular so I've got to be very careful. That's why it's only my friends and family who know the real me. Now my wife, Lainya, she could tell you a few stories.
Horror jolts me when I look at one of you and see a pair of beautiful eyes that make me think your mind might contain a world that could hold me as the bolts shake loose and fly from my frame.
I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don't be hard in your construction of me. You don't know what my state of mind towards you is. You don't know how you haunt and bewilder me. You don't know how the cursed carelessness that is over-officious in helping me at every other turning of my life WON'T help me here. You have struck it dead, I think, and I sometimes wish you had struck me dead along with it.
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