A Quote by Charlaine Harris

I believe if you write a great book, the chances are it'll get a great reception. — © Charlaine Harris
I believe if you write a great book, the chances are it'll get a great reception.
It's a great, great experience to finally get the reception that you know you rightfully deserve.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
Technology must remain a tool. It's a great tool, but technology is the pen to write the book. It's not the book. If you have a great pen, maybe you'll write faster or it will look better, but at the end, you have something to say, or you don't.
This is not that time of a cinema where you get 10 to 15 chances. You only get two to three chances, and if you do something nice in that, then it is great. Otherwise, people are very unforgiving.
I thought a book on miracles might be a great idea, but just because it's a great idea doesn't mean I'm supposed to do it. But my editor persisted, and eventually I thought, 'He's right. I should write this book.'
It used to be that the highest ambition of American novelists was to write 'the Great American Novel,' that great white whale of American fiction that would encompass all the American experience in one great book.
Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
My great joy is to give form to reality. Music is a great release, a great enjoyment to me. Eventually I'd like to write something of great importance. That's my ambition - to write something worthwhile.
The difference is this: If you write a good book, it'll get published. If you have a great screenplay, there is no guarantee.
It was my great problem to solve: how to write a book, you know. And after you write one, you have to write another to prove to yourself you can do it again.
Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.
We all have to learn, in one way or another, that neither men nor boys get second chances in this world. We all get new chances to the end of our lives, but not second chances in the same set of circumstances; and the great difference between one person and another is how he takes hold and uses his first chance, and how he takes his fall if it is scored against him.
A really great reception makes me feel like I have a great big warm heating pad all over me. People en masse have always been wonderful to me. I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
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