A Quote by Charlamagne tha God
I feel like we're in the era now where politics is pop culture. Everybody has an opinion that's politically based. We see what the Trump administration has done, and I've never seen my culture this engaged in the political process.
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I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
Traditionally nerd-based culture is now a big sector of pop culture.
I'm a huge Nirvana fan and I like seeing things that at first seem out of context, but actually they're one of the biggest bands in the world. I like to see pop culture, like punk or alternative culture, clash with some other type of culture.
I've always been interested in pop culture. Some of my colleagues think of pop culture as beneath them, or there's the ivory tower and then there's everybody else, and I never could buy into that wall that's been put up by so many people over the decades and even the centuries.
'We Are Pop Culture' is my clothing line for women that started with just T-shirts. The clothing line is urban street wear. It's for women that feel confident in their own skin and want to express themselves. The whole idea is to play with modern pop culture and previous pop culture using art and sayings.
I don't feel that there is anything deep in the political culture that prevents "educating the masses." I'm old enough to recall vividly the high level of culture, general and political, among first-generation working people during the Great Depression. Workers' education was lively and effective, union-based - mostly the vigorous rising labor movement, reviving from the ashes of the 1920s. I've often seen independent and impressive initiatives in working-class and poor and deprived communities today.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
We will continue to address things, but in as much as I want to talk about politics as they are related to social media, I don't necessarily want to be a political show. I want it to cover everything, everything in our culture through social media, politics, pop culture, entertainment, science, everything.
Culture is the most potent method of adaptation that has emerged in the evolutionary history of the living world. - Theodosius Dobzhanksky...the 'facts' of culture history are interpretations based upon assumed culture process.
For me as an artist, pop culture has so much power and influences society on a regular basis - I see it in the kids; I see it in everyone that I encounter. Everyone is influenced by pop culture whether we want to be or not.
I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.
Being a musician has actually surrounded and immersed me in pop culture and youth culture from a very young age. But even before I was singing in bands and creating any kind of art, I was always fascinated by pop culture.
We happen to live in an era that is incredibly wrapped up in notions of political correctness; everything is seen through the lens of politics. But being political and politically correct is just another way of fighting, another form of power and strategy, an insidious means of manipulation.
Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it.
We've switched from a culture that was interested in manufacturing, economics, politics - trying to play a serious part in the world - to a culture that's really entertainment-based.
I write characters focusing on them as human beings, and then you wrap them within a culture. So I think I can connect with him as a person with brown skin who's viewed differently by the world. In terms of his culture, we're thinking about where we are locating Wakanda within the continent, and what the people and history of that region are like. It's a process of investigation to help inform the story at this point. But we are going to be engaged with consultants who are experts on the continent and on African history and politics.
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