A Quote by Charles Augustin Sainte-Beuve

The nearest approach to the infallible in literary judgment is represented in the colossal work of the teacher of all these three [Edmund Gosse, Edward Dowden and George Saintsbury], the greatest critic that ever lived - not an Englishman, but a Frenchman, the wonderful Sainte-Beuve.
Edmund Wilson was our greatest American literary critic because he was more than a literary critic: He was a fearless, even radical judge of the society he lived in. (See, for example, _A Piece of My Mind_; _The Cold War and the Income Tax_; the introduction to _Patriotic Gore_.) Our conventional critics cannot forgive him for those scandalous lapses in good taste.
If I were going to war I would want to be alongside an Englishman not a Frenchman. The Frenchman would think too much.
[Thomas Henry] Huxley, I believe, was the greatest Englishman of the Nineteenth Century—perhaps the greatest Englishman of all time. When one thinks of him, one thinks inevitably of such men as Goethe and Aristotle. For in him there was that rich, incomparable blend of intelligence and character, of colossal knowledge and high adventurousness, of instinctive honesty and indomitable courage which appears in mankind only once in a blue moon. There have been far greater scientists, even in England, but there has never been a scientist who was a greater man.
I think Tom Paine is one of the greatest men that's ever lived. He lived in the 18th century; as you all know, he was an Englishman who was involved in the writing of American Declaration of Independence, the American Constitution, the French Constitution, wrote the great book called 'The Rights of Man' - commercial over.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
If you take golf, you have a teacher for the drive, a teacher for the approach play, and a teacher for the putt. That's three specialist coaches for one player. In football, one coach looks after 25 players.
The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
I am an Episcopalian who takes the faith of my fathers seriously, and I would, I think, be disheartened if my own young children were to turn away from the church when they grow up. I am also a critic of Christianity, if by critic one means an observer who brings historical and literary judgment to bear on the texts and traditions of the church.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
The Frenchman invented the ruffle; the Englishman added the shirt.
Three outstanding qualities make for success: judgment, industry, health. And the greatest of these is judgment.
Most of my professional work has been in these areas - as a historical critic, as a literary critic. I've done very little in the history of interpretation [as Elie Wiesel has]. I've been interested in it, but I have not contributed to that field, really.
A literary critic is someone who can't write, but who loves to show he would have been a wonderful writer if only he could!
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.
A blaspheming Frenchman is a spectacle more pleasing to the Lord than a praying Englishman.
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