A Quote by Charles Babbage
An object is frequently not seen, from not knowing how to see it, rather than from any defect of the organ of vision.
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In this state of absorbed contemplation, there is no longer any question of holding an object in view; the vision is such that seeing and seen are one; object and act of vision have become identical.
Knowing demands the organ fitted to the object.
The word 'idiot' comes from a Greek root meaning private person. Idiocy is the female defect: intent on their private lives, women follow their fate through a darkness deep as that cast by malformed cells in the brain. It is no worse than the male defect, which is lunacy: men are so obsessed by public affairs that they see the world as by moonlight, which shows the outlines of every object but not the details indicative of their nature.
A lot of places we go, when they see the organ coming in, they're expecting rock and roll, but after they hear us play they like it. To me, guitar cuts through-it carries more than organ. But organ has got more guts.
Ideally, nothing should be embraced by a consumer firmly, nothing should command a commitment till death do us part, no needs should be seen as fully satisfied, no desires considered ultimate. There ought to be a proviso 'until further notice' attached to any oath of loyalty and any commitment. It is but the volatility, the in-built temporality of all engagements that truly counts; it counts more than the commitment itself, which is anyway not allowed to outlast the time necessary for consuming the object of desire (or, rather, the time sufficient for the desirability of that object to wane).
Give your attention to the experience of seeing rather than to the object seen and you will find yourself everywhere.
My line is probably a little more conservative than some of my compatriots in the business. But again, I think it's all - like, it just - it comes down to me knowing who I am and knowing how I want to be seen in the world, how I want to discuss things.
In England, more than in any other country, science is felt rather than thought. ... A defect of the English is their almost complete lack of systematic thinking. Science to them consists of a number of successful raids into the unknown.
Almost no one as I think most leadership books are a joke. They are, as I note in Leadership BS, frequently based on wishes and hopes rather than reality, on inspiring stories rather than systematic social science, and on "oughts" rather than "is."
Cynicism is that blackguard defect of vision which compels us to see the world as it is, instead of as it should be.
Religion is never devoid of emotion, any more than love is. It is not a defect of religion, but rather its glory, that it speaks always the language of feeling.
Knowing record labels and knowing the kinds of things they would object to-they just object to everything that's interesting.
It is a mistake, to think the same thing affects both sight and touch. If the same angle or square, which is the object of touch,be also the object of vision, what should hinder the blind man, at first sight, from knowing it?
Five per cent vision is better than no vision at all. Five per cent hearing is better than no hearing at all. Five per cent flight efficiency is better than no flight at all. It is thoroughly believable that every organ or apparatus that we actually see is the product of a smooth trajectory through animal space, a trajectory in which every intermediate stage assisted survival and reproduction.
Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.
By the artist's seizing any one object from nature, that object no longer is part of nature. One can go so far as to say that theartist creates the object in that very moment by emphasizing its significant, characteristic, and interesting aspects or, rather, by adding the higher values.
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