A Quote by Charles Baudelaire

The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart). — © Charles Baudelaire
The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart).
The form of a town changes more swiftly alas! Than the heart of a mortal.
Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing...but Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.
Paradoxically, the freedom of Paris is associated with a persistent belief that nothing ever changes. Paris, they say, is the city that changes least. After an absence of twenty or thirty years, one still recognizes it.
But alas for the dreams that round us play! / For the plans of mortal making! / And alas for the false and fickle day / That looked so fair at waking!
Americans continue to visit Paris not just for Paris, but for ‘Paris.’ As if out of some collective nostalgia for what Paris should be, more than what it is. For someone else’s memories.
Human nature, if it changes at all, changes not much faster than the geological face of the earth.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
French Kiss - A Love Letter to Paris, is a tribute to many of the wonderful moments of romance, beauty, hope, and love that I have witnessed and been inspired by in Paris, my adopted home, over the past 40 years. I believe that photography is ultimately about sharing. I am excited to share, with the world, these moments of the heart that have touched my own, in this most beautiful city, Paris
For more than twenty years by my own work and personal initiative, I have gathered from all the old streets of Vieux Paris photographic plates, 18 x 24 format, artistic documents of the beautiful civil architecture of the 16th to the 19th century: the old hôtels, historic or curious houses, beautiful facades, beautiful doors, beautiful woodwork, door knockers, old fountains This vast artistic and documentary collection is today complete. I can truthfully say that I possess all of Vieux Paris.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
I am going to enjoy life in Paris I know. It is so human and there is something noble in the city... It is a real city, old and fine and life plays in it for everybody to see.
Lifestyle change and changes in diet work faster, better and more cheaply than any medication and are as effective or more effective than gastric bypass without any side effects or long-term complications.
Paris is my favorite city in the world. The men are so beyond gorgeous, especially the humpy Arab men. But I could never live in Paris, it's a boutique city.
Modern life... changes no longer century by century, but year by year, ten times faster than it ever has before-populations doubling, civilizations unified more closely with other civilizations, economic interdependence, racial questions, and-we're dawdling along. My idea is that we've got to go very much faster.
The city of Paris is determined to promote the happiness-on-a-bike fantasy. Paris mayor Anne Hidalgo wants to turn the city into the most bike-friendly capital in the world.
I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.
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