A Quote by Charles Baudelaire
From that moment onwards, our loathsome society rushed, like Narcissus, to contemplate its trivial image on a metallic plate. A form of lunacy, an extraordinary fanaticism took hold of these new sun-worshippers.
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Our squalid society rushed, Narcissus to a man, to gaze on its trivial image on a scrap of metal.
When explorers first encountered my people, they called us heathens, sun worshippers. They didn't understand that the sun is a relative and illuminates our path on this earth.
Worshippers aren't made when they see the enemy on the run, put to flight. The truth is, worshippers of God are made during dark, stormy nights. And how we respond to our storms determines just what kind of worshippers we are.
Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
Is the work of sun worshippers to honor those who think they can see the sun? Or to worship the sun?
There are things and there are faces which, when felt or seen for the first time, stamp themselves upon the mind like a sun image on a sensitized plate and there remain unalterably fixed.
Right now a moment of time is fleeting by! Capture its reality in paint! To do that we must put all else out of our minds. We must become that moment, make ourselves a sensitive recording plate...Give the image of what we actually see, forgetting everything that has been seen before our time.
We can only know one thing about God - that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him.
Leo took out a pen and autographed the arm of one of the nymphs. “Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame, when you look up lame on Wikipedia, it’s got a picture of Narcissus—only the picture’s so ugly, no one ever checks it out.
As part of our layered approach, we have expedited the deployment of new Advanced Imaging Technology (AIT) units to help detect concealed metallic and non-metallic threats on passengers. These machines are now in use at airports nationwide, and the vast majority of travelers say they prefer this technology to alternative screening measures.
Here is this three-pound mass of jelly you can hold in the palm of your hand, and it can contemplate the vastness of interstellar space. It can contemplate the meaning of infinity and it can contemplate itself contemplating on the meaning of infinity.
The Christian Bible is a symbolic book, not a literal one. The one Christians know as Jesus was actually a symbol for the sun. Ancient sun worshippers believed the sun died at the end of the winter solstice and then three days later it would be reborn at the start of its cycle - December 25.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Christians are as subject to complacency as anybody else, and we can certainly settle into repetition and forget that something radical and extraordinary is being asked of us as well - that we hold to an extraordinary promise about how, from moment to moment, something enters the world and enters us, after which everything is different.
We don't think of ourselves in Cafe Tacvba as representatives. When we go and make new material, we feel that our creations are more authentic if we think of ourselves. We don't say, "Let's be the representatives and show the moment that our society is in." But when it comes to performing and we visit other countries, like New York, many people approach us, people who are outside of their own country, and we become a referent. Our shows become this sort of ritual, and our performances become that moment of identity.
There is in all our strivings a profound homesickness for God. When we touch another we touch God. When we look at a flower, its radiance, its fragrance, its stillness is another moment's experience of something deeper within. When we hold a baby, when we hear extraordinary music, when we look into the eyes of a great saint, what draws us is that deep homesickness for our true nature, for the peace and healing that is our birthright. This homesickness for God directs us toward the healing we took birth for.
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