A Quote by Charles Baudelaire
If the poet has pursued a moral objective, he has diminished his poetic force.
Related Quotes
The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture.
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Most superheroes are painted with a specific moral objective that makes them who they are. And that moral objective influences everything they do, so there's an expectation for what you're going to see out of a certain character.
A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over.
It is unwise to equate scientific activity with what we call reason, poetic activity with what we call imagination. Without the imaginative leap from facts to generalisation, no theoretic discovery in science is made. The poet, on the other hand, must not imagine but reason--that is to say, he must exercise a great deal of consciously directed thought in the selection and rejection of his data: there is a technical logic, a poetic reasoning in his choice of the words, rhythms and images by which a poem's coherence is achieved.
I certainly was surprised to be named Poet Laureate of this far-out city on the left side of the world, and I gratefully accept, for as I told the Mayor, "How could I refuse?" I'd rather be Poet Laureate of San Francisco than anywhere because this city has always been a poetic center, a frontier for free poetic life, with perhaps more poets and more poetry readers than any city in the world.
If an instrument similar to a geiger-counter could be invented that counted moral judgements instead, we would learn to duck as people became increasingly 'moral', since lethal force is usually imminent. So far from moral fervour being an alternative to force, it is frequently the overture, the accompaniment and the memorial to it.
Genius in general is poetic. Where genius has been active it has been poetically active. The truly moral person is a poet.
A born poet knows in his cradle that a poetic life is the only life worth living.
Nine-tenths of English poetic literature is the result either of vulgar careerism or of a poet trying to keep his hand in. Most poets are dead by their late twenties.
The phenomenon of economic ignorance is so widespread, and its consequences so frightening, that the objective of reducing that ignorance becomes a goal invested with independent moral worth. But the economic education needed to reduce such ignorance must be based on austere, objective, scientific content—with no ideological or moral content of its own.
The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.
Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum ) and can never recur. That nothing shd. be old or borrowed however cannot be.
There is a form of poetic and esthetic and moral genius necessary to make philosophical issues truly incandesce for students, and even though I indeed had some world-class professors myself when I went through the curriculum, I rarely saw such gnosic or concretist/poetic passion among them. I am not speaking of broad histrionics or melodramatic delivery, but rather a moral investment of concern, of loving delight and pathos in exposing one's consciousness to the full horrific and magnificent implications of the materials.
From the beginning, about the rude altar of the god, to the days of Goethe, of Leopardi, and of Victor Hugo, the poet is the leader in the dance of life; and the phrase by which we name his singularity, the poetic temperament, denotes the primacy of that passion in his blood with which the frame of other men is less richly charged.
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