A Quote by Charles Baudelaire
France is not poetic; she even feels, in fact, a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
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France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
You must know that when you 'hail' Mary, she immediately greets you! Don't think that she is one of those rude women of whom there are so many-on the contrary, she is utterly courteous and pleasant. If you greet her, she will answer you right away and converse with you!
If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
The being who, for most men, is the source of the most lively, and even, be it said, to the shame of philosophical delights, the most lasting joys; the being towards or for whom all their efforts tend for whom and by whom fortunes are made and lost; for whom, but especially by whom, artists and poets compose their most delicate jewels; from whom flow the most enervating pleasures and the most enriching sufferings - woman, in a word, is not, for the artist in general... only the female of the human species. She is rather a divinity, a star.
She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.
If a woman rising in power is too tough or aggressive, she's attacked for it. If she's attractive, she's accused of having used that to her advantage. And even if a woman is beyond qualified for a role, there will always be those who raise doubts about if she's really qualified.
I'll see Naomi Wolf on television periodically, I have nothing against her and what she says, but I'll feel that she's a politician, like she's got an agenda to get across and that she doesn't always say what's really true or exactly what she feels.
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
The moment she was cursed, I lost her. Once it wears off- soon- she will be embarrassed to remember things that she said, things she did, things like this. No matter how solid she feels in my arms, she is made of smoke.
A FRIEND IS A PERSON . . . With whom you can be sincere. . . . To whom you never need to defend yourself. . . . On whom you can depend whether present or absent. . . . With whom you never need pretend. . . . To whom you can reveal yourself without fear of betrayal. . . . Who does not feel she owns you because you are her friend. . . . Who will not selfishly use you because she has your confidence. I WOULD HAVE SUCH A FRIEND. . . AND I WOULD BE SUCH A FRIEND. I DO HAVE SUCH A FRIEND!
And if something came along that didn't sound so good, it perhaps didn't always get out there as it should have. But given the fact that she [Eleanor Roosevelt] had the help, nonetheless she knew how to use it. And she used it very effectively.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
Jules has always been one of those women that men go crazy about because she has enough self-confidence to say this is me, take it or leave it. And, invariably, they take it. Or at least try to. They love the fact that she doesn’t wear makeup. That her clothes, on her tiny, petite frame, are a mishmash of whatever she happens to pull out of the wardrobe that morning. That her laugh is huge and infectious, and, most of all, that she listens. She loves life, and people, and makes time for them, and even before Jamie came along men were forever falling in love with her.
I think that the important thing to consider here - Hubert Humphrey said that a society is measured by how he treats those in the dawn of life, those in the shadows of life, and those in the twilight of life. And it is true that Terri Schiavo lives among us in the shadows of life, but she is not brain dead. She feels pain.
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