A Quote by Charles Bock

When I was in college, I could only write on a WordPerfect program. — © Charles Bock
When I was in college, I could only write on a WordPerfect program.

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When you're going to school primarily for career purposes, it's more important to focus on which program is best for you. In addition, your success at college depends far more on what you do at the college than at which college you do it: Choosing the right program, then the right advisor, the right courses, the right term papers, the right co-curricular activities, the right fieldwork, the right internships. You can make those choices at any college.
My advice to young writers would be to write every day, even if it is only a few words. Get yourself on the habit of writing and it will become a lifelong one. And find a place to write where you are physically comfortable. You can't concentrate if you aren't. Ernest Hemingway could only write standing up, and Truman Capote could only write lying down!
The college and university systems, at least, have become like television. There's a bit of this and a bit of that and some compulsory program with its components connected in a way that only a planner could understand.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
I can write a program that lets you break the copy protection on a music file. But I can't write a program that solders new connections onto a chip for you.
The program of the ruling elite in Orwell's 1984 was: "A foot stamping on a human face forever!" This is naive and optimistic. No species could survive for even a generation under such program. This is not a program of eternal, or even long-range dominance. It is clearly an extermination program.
I used to do a lot of serious theatre during my school and college days. Comedy was only reserved for youth festival and inter-college competitions. Then once 'The Great Indian Laughter Challenge' was launched, a regional channel in Punjab started a program based on that. I participated in it and emerged as the winner.
I graduated with a B.A. from Goddard College in 1991 and then studied poetry for a year in the M.F.A. in Writing Program at Vermont College.
I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.
If I could only write, I'd write a nasty letter to the mayor, if he could only read.
As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure.
When I barely got into college, the one thing I could do was write, so I became an English major.
It's important that the art forms communicate, whether it's the dance program with the jazz program or the classical program with the opera program, that these conversations becomes fluid.
Everybody had to go to some college or other. A business college, a junior college, a state college, a secretarial college, an Ivy League college, a pig farmer's college. The book first, then the work.
There's a lot of reasons I didn't perform the way I could have in college. Going to college, I was a new parent, I lived in another state. I just wasn't mentally into it when I was in college.
I like college football, but I'm a huge college basketball fan. I could sit and watch every game of March Madness and be happy. That could be a vacation.
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