A Quote by Charles Bock
A woman at a bookstore in Brattleboro, Vt., put Castle Freeman Jr.'s novel 'Go With Me' in my hand, and I took it to be nice. 'Yeah I'll probably read five pages,' I thought. But once I started, I could not put it down.
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I was just sitting on my bed in a dormitory room, and I started writing. The thing that was magic about it was that once you put down one word, you could cross it out. I figured that out right away. I put down 'mountain,' and then I'd go, 'No - 'valley.' That's better.'
William Goldman's Marathon Man was a novel that taught me about suspense. I was maybe 16 years old when I read it and I remember thinking, "You could put a gun to my head and I wouldn't put this book down." I loved that feeling - and want to give it others.
In 1965, when I was fourteen, I read my first adult novel; it was a historical novel about Katherine of Aragon, and I could not put it down. When I finished it, I had to find out the true facts behind the story and if people really carried on like that in those days. So I began to read proper history books, and found that they did!
Do you know what it took for Balanchine to put me, a black man, on stage with a white woman? This was 1957, before civil rights. He showed me how to take her [holding her delicately by the wrist]. He said, ‘put your hand on top.’ The skin colors were part of the choreography. He saw what was going to happen in the world and put it on stage.
So give yourself that chance to put together the 80, 90 pages of a draft and then read it very in a nice little ceremony, where you're comfortable, and you read it and make good notes on it, what you liked, what touched you, what moved you, what's a possible way, and then you go about on a rewrite.
I never had any thought the whole week. I figured my caddie [Jerry Beard] knew the course a lot better than me, so I put out my hand and played whatever club he put in it. I'd say, "How hard do I hit it?" He'd tell me and I'd swing. The guys who come down here once a year and try to get smart with Mr. Jones' course are the dumb ones.
I took to saying, 'Look, tell you what: Pick it up; open it anywhere. Read three pages. If you can put it down again, I'll pay you a dollar. So I never lost any money on that bet, but I sold a lot of books.
I like to collect aprons from different places I go. I first started when I was in Italy because I thought that would be really appropriate. I got a hand-stitched Italian apron from this woman in Sicily who put my name on it, and it said, 'Sicily, Italy.' So now I get one from everywhere I go.
If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut this down to size and make a movie out of it?'
All I would do is, like, stick on these lash extensions and not even put mascara on and put on a little powder. That was my go-to - it took about five minutes.
If Im in the bookstore, and I see a 700-page novel, my first thought is, Ooh, how could you cut this down to size and make a movie out of it?
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
There's no way I could put on running shoes and go out for a 5-mile run, but put a ball in my hand and I'll go for days. Or until I break something.
I took off my glasses while you were yelling at me once more than once so as not to see you see me react. Should've put 'em, should've put 'em on again so I could see you see me sincerely yelling back.
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