A Quote by Charles Bock

I had a string of really awful jobs in Manhattan where my whole point was to do as little work in the world as possible so I could hoard time to write. — © Charles Bock
I had a string of really awful jobs in Manhattan where my whole point was to do as little work in the world as possible so I could hoard time to write.
I feel like I'd invested so much in the physical side of my life: running marathons - I brought a SEAL into my house - I have a trainer. But I've invested very little on the inner work, and in a world of distractions, I felt like to have the whole picture, I really had to spend a little time alone and work on being present.
String theory is an attempt at a deeper description of nature by thinking of an elementary particle not as a little point but as a little loop of vibrating string.
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. I don't always write in order, so composing multi-book stories could get complicated.
Advertising was fairly simple work, and I really just wanted a job where I could sit and write every day and not get fired for it like I had at other jobs, but it was fun.
Weirdly the writing experience has not really changed that much except it used to be that I was busy because I had to work a couple of jobs to earn money, so I didn't have time to write.
The original vocals had an awful lot of work put into them at the time, and I wasn't really sure that I could better them - I don't know if I have bettered them.
I'm like a packrat with work. I hoard my jobs.
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes.
I had, at a point in time, decided not to write on the corporate world. But if people expect me to set stories in a work environment, then why go away from it?
We're beginning to see some increase in incomes, and we certainly have had a long string of increasing jobs. We've got to do more to get the whole economy moving, and that's what I believe I will be able to do.
How are the cabs in your city? In Manhattan, where I work, they are rather awful.
If you put this in the context of Detroit in '64 or '65, the economy was booming. Everybody had jobs and there was a whole nightclub culture where bands could work.
I found it was my good fortune to somehow be able to work in these forms that I loved when I was a kid. I love movies and I could write screenplays. I love theater and I could write plays. I mean, they would be my own, I could never write what was used to be called the well-made play. But my first play, "Little Murders," turned out to be a great success and a great influence on plays at that time.
I find it hard to write really cool texts in German. At some point I had the feeling that it didn't work for me any more. So I'd rather not write any German songs at all than write uncool ones.
After I had written a paper or letter for Bohr, I always had the impression that I had learned something which I could use for my own work. And somehow, I never felt that I had too little time for my own work. I always found time.
When I grew up, I was in Manhattan the whole time. But my kids have been all over the world.
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