A Quote by Charles Bock

'Death Of A Salesman,' 'Streetcar Named Desire,' these are the things that, when I was growing up, made me want to be an artist. — © Charles Bock
'Death Of A Salesman,' 'Streetcar Named Desire,' these are the things that, when I was growing up, made me want to be an artist.
I'm in the theater because of two plays: 'A Streetcar Named Desire' and 'Death of a Salesman.'
Growing up, I loved films like 'A Streetcar Named Desire' and 'On the Waterfront' and became a huge fan of Marlon Brando.
People's relationship to what they want from theatre is changing. People, including me, are still looking for the next STREETCAR NAMED DESIRE. And people can't or won't write that anymore.
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
People who don't know how old I am can cast me as the woman in 'Girl with a Pearl Earring' and can cast me as Stella in 'Streetcar Named Desire,' and they are miles apart.
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
I remember watching 'A Streetcar Named Desire' when I was quite young, I was about 12, or 13, and I watched it, thinking, 'Wow. That is pretty cool. I'd like to do something like that.'
I had an acting teacher tell me once that if you're playing a car salesman, you don't want to be an OK car salesman, you want to play the best car salesman.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
I have a background in theater. At the time I read The Loved Ones script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in A Streetcar Named Desire and Isabella in Measure for Measure.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
'A Streetcar Named Desire' is the play I've probably read the most times in my life, and I love the weirdness of all the scene outs but especially the end of the second scene, when Williams brings a tamale vendor on stage to simply say, 'Red hot!'
Being named Michael Jordan - I think growing up playing sports and having a name like Michael Jordan - and I was extremely competitive - I used to get teased a lot. But it made me want to strive for greatness and be able to compete at whatever I decided to do.
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