A Quote by Charles Bradley
I was 14, and I left on my own. Living in a subway train, and police used to come in with a nightstick and say, 'You can't sleep here.' I'd get up and go across the street, get on another train, and go back the other way.
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I moved to Switzerland when I was 8, and during our breaks, we'd go to snowboard, and he'd take me to the mountains; we'd take a train. It was kind of crazy, you know. When I think about it, I wake up at 4, take a train to the mountains, sleep in the train and then go snowboard, and then come back. It was quite a mission.
You have to wake up, go to the office, do any after office paperwork, you have to go to the gym, you have to train and train, you eat, you get a little bit of sleep and then you do it again.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
Sometimes I train in the middle of the night, all on my own. Can't sleep, don't want to sleep, get up, go to the gym, work. This is early for me, being here at half ten in the morning, this is really early, and I'm only here because I screwed up yesterday and kept you hanging around. Other times I'll call up my wrestling coach, or my jiu jitsu coach, or my deep-tissue guy, and want to really focus on one part of what I do. I train in all these different disciplines.
Another train will come. Why rush? Why worry? Why go crazy? Another train will come. And sure enough, another train going my way was pulling into the station. My bad mood evaporated. I entered the car smiling, certain that there would be more missed trains in my life, more closed doors in my face, but there would always be another train rumbling down the tracks in my direction.
I'm from a generation of Iraq and Afghanistan. Our battleground was where we learned. It's not like the old generation where they used to train and train and train, and then suddenly an operation would come up, and they'd go on it.
When I started looking for pointed shoes, I used to go to Fairfax on Orchard Street in New York City, one of those little pushcart guys. I'd say, 'You got any pointy shoes?' They would go way, way in the back and come back with a dusty box, blow the dust off the top, and say, 'What do you want with these things? Give me twenty bucks. Go on, get outta here!' And that was the beginning.
If you miss the bus, miss the train, you’d be left behind. So everyone says, let’s get on the train, let’s get on the bus and go faster and get rich... I just didn’t like that kind of lifestyle. I love to read books, to listen to music.
It's easier for me to go to Russia and train with top coaches and choreographers there than go to Colorado Springs and train with 14 of my competitors.
Me and my mate used to go across the park, jump on the Met line to get the Tube into Harrow. There was a sports shop we always used to go into, and there was a McDonald's. We used to go off with three or four quid in our pocket. That would cover our train fare, mooching around Harrow, and going to McDonald's.
The thing about tennis life is that it's the same thing every day. You train. You come back to the hotel. You get treatment. You eat. You sleep. You get up.
If a train doesn’t stop at your station, it’s simply because it’s not your train. Don’t try to flag down the conductor and convince them to stop there, even if their own map says that they should just keep going. You may not realize it, but there’s another train trying to come toward you, unable to get into your station because a train that doesn’t even belong there is being delayed there by your intensity.
It was a lot to get used to, especially in warm-ups with the wind all over the place. As the meet went on it steadied out, so I was able to get some good looks to go back and train from.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Before, I would spend all my hours at training, come home, sleep, eat, watch football, sleep, and go back to training the next day. Now I do the school run, train, pick up my daughter. I am living in the real world. I am a father now. That has given me more satisfaction than football.
Knot the tie and go to work, unknot the tie and go to sleep. I sleep. I dream. I wake. I sing. I get out the hammer and start knocking in the wooden pegs that affix the meaning to the landscape, the inner life to the body, the names to the things. I float too much to wander, like you, in the real world. I envy it but that’s the dealio—you’re a train and I’m a trainstation and when I try to guess your trajectory I end up telling my own story.
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