A Quote by Charles Bradley
When I feel it, I got it, 'cause, like, on 'Changes,' I didn't never know what that song was, never knew who it was or who did it, but Tom Brenneck asked me to do that song.
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I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
Everything runs smoothly. I'm never uncomfortable with anything I do. I never feel like I regret anything. I love music. All kinds of music. I'm a producer first. I feel like I can do anything and still be myself. You hear a song and you're like, "Juicy J is on this song, Juicy J is on that song," but it's still me at the end of the day.
When I auditioned for drama college, they asked me to do my Shakespeare. I couldn't do it. They asked me to do my modern, and I couldn't do it. They asked me if I had a song prepared, and I said 'No,' so I sang 'Happy Birthday.' And I did a reasonable improvisation, a reasonable one, nothing special at all. I don't know how I got in, but I did.
But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
I learned very early in life that: 'Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend-without a song.' So I keep singing a song.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
When I started college, I wrote a song 'Pee Jaun,' with a friend. I never intended to make mainstream music, but that song did really well and I got some recognition.
I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.
The songwriting did come naturally; it really did. Like Joe said, the first song we ever wrote together was the song that got us signed, you know, so it was either luck, fate, or something in between.
When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song." So I keep singing a song. Goodnight. Thank you.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
Without a song the day would never end Without a song the road would never bend When things go wrong a man ain't got a friend Without a song
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song. What do I write about? I never know.
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