A Quote by Charles Bronson

I can play the character better because of the roundness of my experience - because of the things I've been through. All those method guys - like that De Niro, Stallone, and what's his name, Pacino - they're all the same.
As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for Robert De Niro there's Al Pacino and for Pacino there's De Niro.
I grew up watching 'Rambo' and 'Rocky' and all of those movies, so you have a surreal moment, even as an actor, when you're in front of these guys, whether it's DeNiro or Stallone. You have a moment like, 'Geez, that's Sylvester Stallone,' and then you have to snap out of it and get back in the pocket of the character.
Use whatever excuse you can to vibrate in harmony with those things you've been saying you want. And when you do, those things that are a vibrational equivalent flow into your experience in abundance. Not because you deserve it, not because you've earned it, but because it's the natural consequence of the Law of Attraction. That which is like unto itself is drawn.
Al Pacino, De Niro, Daniel Day Lewis - they're the best out there because everything they do comes from a very honest place.
On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.
I was going to play in First Blood, but I suggested to changing it and I dropped out. I said to [Silvester] Stallone, 'You know, I almost stopped you from making millions of dollars,' because in my suggestion, I killed his character at the end of the picture .
I feel like strength comes from within. And like everything that I am and experience make you strong. And I've been through so many things in my life and those things have taught me. I'm one of those girls, every experience, I learned from my experience.
I never wanted to be a brand director. I didn't want that kind of stamp. I wanted to be more like Pacino or Dustin Hoffman or Meryl Streep or De Niro - you know, a chameleon as a storyteller - because I love all kinds of movies.
It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.
There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
Getting 1,000 yards in the NFL is an amazing accomplishment, and being the first rookie ever for the Giants to do that is even a bigger one. It's big because even though my name might go in the record book, it's not just myself - it's the offensive line play and the guys in the running back room, all those guys have been a tremendous help.
The fact is, though, what I think we really like is Marlon Brando, Al Pacino, Robert De Niro and James Gandolfini. We like what the media has created of the mob bosses in movies and TV and books, because it's something the average person never comes into contact with, it's almost as outwardly outlandish as a sexy vampire, and so we can romanticize it, it's non-threatening.
De Niro didn't gain all that weight to play Jake La Motta just to prove he could get fat - every single one of those transformative things is grounded in the character.
There's a method aspect to Campbell Scott character and he really wants to get into his character and he wants to cast to go on a fast so that by the time the play opens nobody's eaten in three days because he wants the audience to feel the pain from the stage.
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