A Quote by Charles Bukowski
As we live we all get caught and torn by various traps. Nobody escapes them. Some even live with them. The idea is to realize that a trap is a trap. If you are in one and you don't realize it, then you're finished.
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And if you can find any way out of our culture, then that's a trap too. Just wanting to get out of the trap reinforces the trap.
Nobody is ready for death. If you ask Joe Blow on the street, he aint gonna tell you he thinks he'll live forever. But when the end is near you'll realize you've been believing that all along. It's like getting caught with your pants down. That's why you gotta live, little one. Yeah stop and smell them roses.
Less than an hour before he'd congratulated himself on escaping all the traps of Earth, all the snares of Man. Not knowing that the greatest trap of all, the final and the fatal trap, lay on this present planet.
The prophet who fails to present a bearable alternative and yet preaches doom is part of the trap that he postulates. Not only does he picture us caught in a tremendous man-made or God-made trap from which there is no escape, but we must also listen to him day in, day out, describe how the trap is inexorably closing. To such prophecies the human race, as presently bred and educated and situated, is incapable of listening. So some dance and some immolate themselves as human torches; some take drugs and some artists spill their creativity in sets of randomly placed dots on a white ground.
Imagine you are walking in the woods and you see a small dog sitting by a tree. As you approach it, it suddenly lunges at you, teeth bared. You are frightened and angry. But then you notice that one of its legs is caught in a trap. Immediately your mood shifts from anger to concern: You see that the dog's aggression is coming from a place of vulnerability and pain. This applies to all of us. When we behave in hurtful ways, it is because we are caught in some kind of trap. The more we look through the eyes of wisdom at ourselves and one another, the more we cultivate a compassionate heart.
I used to swim with these beavers in a beaver pond when I was 10. I went back when I was 11 and found there were no more beavers. I found that trappers had taken them all, so I became quite angry, and that winter I began to walk the trap lines and free animals from the traps and destroy the traps.
Choice is bondage, choicelessness freedom. The moment you choose something, you have fallen in the trap of the world. If you can resist the temptation to choose, if you can remain choicelessly aware, the trap disappears on its own accord, because when you don`t choose you don`t help the trap to be there - the trap is also created by your choice.
I was unhappy and so is every soul unhappy which is tied to its love for mortal things; when it loses them, it is torn in pieces, and it is then that it comes to realize the unhappiness which was there even before it lost them.
You hear peewee coaches teaching the 'trap'. What the heck are we doing teaching the 'trap'? Let the kids go, let them have fun; that's how you improve.
I never thought I was going to leave the trap. I even told my mother, 'I'm gonna be the trap God.'
Everything was a trap: women, drugs, whiskey, wine, scotch, beer - even beer - cigars, and cigarettes. Traps: Work or no work. Traps: Artistry or no artistry; everything sucked you into some spiderweb. I disdained the use of the needle for the same reason that I disdained some so-called beautiful women - the price was far beyond the measure of the worth. I didn't want to hustle that hard.
It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
Never think too much of yourself. Realize you are only an instrument of eternity. Do not get stuck in that terrible trap. You can lose everything.
All pretty girls are a trap, a pretty trap, and men expect them to be.
I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.
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