A Quote by Charles Bukowski

Don't wait for the good woman. She doesn't exist. — © Charles Bukowski
Don't wait for the good woman. She doesn't exist.
Don't wait for the good woman. She doesn't exist. There are women who can make you feel more with their bodies and their souls but these are the exact women who will turn the knife into you right in front of the crowd.
If you talk to a woman, she will give you at least five incidents in a day, 5-10 in a month, where she had to work harder to prove herself because she is a 'woman,' maybe at a male-dominated work place or when she has to come across as a smarter woman if she is good-looking.
Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
A woman and a dress, very often, fight against each other because they are not at the same place. Sometimes you see the woman moving the belt around. She is making the robe her own. She needs that. Otherwise, the dress doesn't exist.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
Because of the womb being a central phenomenon in the feminine body, the whole psychology of woman differs: she is non-aggressive, non-inquiring, non-questioning, non-doubting, because all of those things are part of aggression. She will not take the initiative; she simply waits - and she can wait infinitely.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
A man is commanding - a woman is demanding. A man is forceful - a woman is pushy. A man is uncompromising - a woman is a ball-breaker. A man is a perfectionist - a woman's a pain in the ass. He's assertive - she's aggressive. He strategizes - she manipulates. He shows leadership - she's controlling. He's committed - she's obsessed. He's persevering - she's relentless. He sticks to his guns - she's stubborn. If a man wants to get it right, he's looked up to and respected. If a woman wants to get it right, she's difficult and impossible.
Tell me the story, Pew. . . . It was a woman. You always say that. There's always a woman somewhere, child; a princess, a witch, a stepmother, a mermaid, a fairy godmother, or one as wicked as she is beautiful, or as beautiful as she is good. Is that the complete list? Then there is the woman you love. Who's she? That's another story.
It is easier for a woman to be a good wife than a good mother. A widow has two duties with contrary obligations: she is a mother and she must exercise paternal authority. Few woman are strong enough to understand and to play this role.
They often say woman cannot keep a secret, but every woman in the world, like every man, has a hundred secrets in her own soul which she hides from even herself. The more respectable she is, the more certain it is the secrets exist.
Woman is a misbegotten man and has a faulty and defective nature in comparison to his. Therefore she is unsure in herself. What she cannot get, she seeks to obtain through lying and diabolical deceptions. And so, to put it briefly, one must be on one's guard with every woman, as if she were a poisonous snake and the horned devil. ... Thus in evil and perverse doings woman is cleverer, that is, slyer, than man. Her feelings drive woman toward every evil, just as reason impels man toward all good.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
I was once really close to sitting down and having a conversation with a shadowy young woman who is reputed have become a millionaire by investing in Beanie Babies. She was someone that a couple people claimed to know, she seemed to exist, but she remained shadowy.
That's just what a woman is. She thinks she knows what's good for a man, and she's going to see he gets it; and no matter if he's starving, he may sit and whistle for what he needs, while she's got him, and is giving him what's good for him.
An interesting question that has been recurring is that she appears to have been this delicate woman in all these films, but really she was a woman of substance wasn't she? And I say yes, you don't get to be Audrey Hepburn if you are a sort of 'babe in the woods.' It takes a lot of character, a lot of vision, good boundaries and hard work.
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