A Quote by Charles Bukowski
And yet women-good women--frightened me because they eventually wanted your soul, and what was left of mine, I wanted to keep.
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A yet women -good women- frightened me because they eventually wanted your soul, and what was left of mine, I wanted to keep. Basically I craved prostitutes, base women, because they were deadly and hard and made no personal demands. Nothing was lost when they left. Yet at the same time I yearned for a gentle, good woman, despite the overwhelming price.
One of the reasons I wanted to start a company is because I wanted an environment that I wanted to work in. I wanted people to be able to have a life - for it to be OK to leave for a lacrosse game or a doctor's appointment. So I think women do work differently; it's important to have both men and women. They offer different things.
I really wanted to explore a range of women who aren't necessarily perfect, heroic women. I wanted to series to influence creative people to include more women in their work, especially historic works.
Most women I know have been harassed in some way. And you never wanted to report it, because you were afraid of losing your job or you felt like, hey, did that just happen? I think it's good that women now... have the courage! Because it's not easy.
Women like me. Women love me, so if I really wanted to involve the women, I don't have to assault the women.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
Eventually I knew what hair wanted; it wanted to be itself ... to be left alone by anyone, including me, who did not love it as it was.
This was a brainchild of mine, to build a shop where you could walk up to everything and didn't feel like you had to keep your hands off. I wanted a shop that you could walk into and feel comfortable in, and I wanted women to feel comfortable in the shop as well.
I always wanted to make sure that I was honest to myself and that people wanted to hear an opinion that was authentic... I wanted Man Repeller to be a voice for women who felt like they didn't have a voice or for women who didn't know how to express their voice.
A friend of mine has a son who became deaf through meningitis. He called me one spring and asked me to keep a week out of my schedule because he wanted to start a school for deaf kids. I wanted to help.
I really wanted to do a deep-dive into the idea that women are always called 'crazy,' and we are painted with such broad strokes because it's so easy to stereotype women and write them off. I got tired of that, and I wanted to explain: We are not crazy. There's a method to our madness.
People think that women don't negotiate because they're not good negotiators, but that's not it. Women don't negotiate because it doesn't work as well for them. Women have to say, 'I really add a lot of value, and it's in your interest to pay me more.' I hate that advice, but I want to see women get ahead.
I wanted women to have the same basic wardrobe as a man. Blazer, trousers, and suit. They're so functional. I believed women wanted this and was right.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
In the middle of this it was good to have some moments in which whatever was left of you could sit in silence. When you could remember. When the evidence that had gathered could be sorted. And it was a difficulty if another person imagined these moments were their property. Your life got sliced from two sides like a supermarket salami until there was nothing left in the middle. You were the bits that had been given away right and left to others. Because they wanted the piece of you that belonged to them. Because they wanted more. Because they wanted passion. And you did not have it.
You need mystery. You actually do. I think that's what foreign women, French women in particular, are good at. There's still a sense that you need to keep some of the unknown because that's where the soul resides, or something.
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