A Quote by Charles Bukowski

Hemingway and Saroyan had the line, the magic of it. The problem was that Hemingway didn't know how to laugh and Saroyan was filled with sugar. — © Charles Bukowski
Hemingway and Saroyan had the line, the magic of it. The problem was that Hemingway didn't know how to laugh and Saroyan was filled with sugar.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
I started out of course with Hemingway when I learned how to write. Until I realized Hemingway doesn't have a sense of humor. He never has anything funny in his stories.
I spent an awful lot of time with Hemingway. And Hemingway had a remarkable ability to reach very noble goals through sometimes ignoble means.
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
Hemingway was a big influence - 'A Farewell to Arms,' though I disapproved of the later Hemingway.
I really, honest to God, didn't know what to read until I was out of college and living in Boston, and someone said, 'Well, why don't you read Hemingway?' And I thought, 'OK. I guess I'll try this Hemingway fellow.'
From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
The thing that was important to me about Hemingway at the time was that Hemingway taught me that you could be a writer and get away with it.
And that's when he finally tells me his name is Ernest. I'm thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?
I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.
Hemingway himself and Hemingway's writing were both brilliant, brilliant cocktails.
Hemingway's short story 'Hills Like White Elephants' is a classic of its kind. It illustrates Hemingway's 'iceberg theory,' which requires that a story find its effectiveness by hiding more than it reveals.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
I think Hemingway's [book] titles should be awarded first prize in any contest. Each of them is a poem, and their mysterious power over readers contributes to Hemingway's success. His titles have a life of their own, and they have enriched the American vocabulary.
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
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