A Quote by Charles Bukowski

Style is the answer to everything. A fresh way to approach a dull or dangerous thing — © Charles Bukowski
Style is the answer to everything. A fresh way to approach a dull or dangerous thing
Style is the answer to everything. A fresh way to approach a dull or dangerous thing. To do a dull thing with style is preferable to doing a dangerous thing without it. To do a dangerous thing with style is what I call art.
It's better to do a dull thing with style than a dangerous thing without it.
Everything was so fresh and unique to us - it was a whole new world of music. Michael Jackson was so fresh, you know? We could approach it with such fresh ears, which wouldn't be possible if we had been listening to it when we were younger.
The beginner should approach style warily, realizing that it is himself he is approaching, no other; and he should begin by turning resolutely away from all devices that are popularly believed to indicate style - all mannerisms, tricks, adornments. The approach to style is by way of plainness, simplicity, orderliness, sincerity.
Prioritization sounds like such a simple thing, but true prioritization starts with a very difficult question to answer, especially at a company with a portfolio approach: If you could only do one thing, what would it be? And you can't rationalize the answer, and you can't attach the one thing to some other things. It's just the one thing.
What I've done from the very beginning is play everything with extreme accuracy. I never said to myself, 'Okay, if I put my fingers this way, it's gonna result in this.' I've never taken a lesson. My way of playing the guitar was a fresh approach to the instrument.
Peter was dull; he was at first Dull; - Oh, so dull - so very dull! Whether he talked, wrote, or rehearsed - Still with his dulness was he cursed - Dull -beyond all conception - dull.
The advancement of style is the cornerstone of hip hop. There is no correct or conservative way to make rap music. Rap is and must remain the answer, the alternative, to the conservative approach of making music.
To do a dull thing with style-now that's what I call art.
Reagan took an approach to the Cold War dramatically different from any other US President. To wit, he thought we should win. This was a fresh concept. At the time, it was widely ridiculed as a dangerous alteration of US policy. Only after it worked was Reagan's dangerous foreign policy recast as merely a continuation of the policies of his predecessors.
Most people put the cart before the horse, which is an interesting way to go through life. They approach everything directly. In Zen we approach everything backwards or inside out.
If you're at a restaurant and someone asks, 'Fresh pepper?,' the answer is yes. When people shake off the fresh pepper, they clearly have no interest in living a full life. Same thing goes for grated Parmesan. Why would you turn that down?
An answer, once found, is dull; and the only remaining interest lies in a further effort to render equally dull what is still obscure enough to be intriguing.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
It's like, symbolic language, the way that people approach dense poetry... it always bugs me, because that approach suggests that it's like a mystery novel, and that if you can put together the clues, you can come up with one singular answer.
The beautiful thing about working with new instruments is that you sort of approach it with a fresh perspective.
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