A Quote by Charles Bukowski

that your power of command with simple language was one of the magnificent things of our century. (from the poem: result) — © Charles Bukowski
that your power of command with simple language was one of the magnificent things of our century. (from the poem: result)
The poem is the literary form of the 21st century. It's able to connect young people in a deep way to language... it's language as play.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
To achieve the mood of a warrior is not a simple matter. It is a revolution. To regard the lion and the water rats and our fellow men as equals is a magnificent act of a warrior's spirit. It takes power to do that.
Good poetry and successful revolution change our lives. And you cannot compose a good poem or wage a revolution without changing consciousness unless you attack the language that you share with your enemies and invent a language that you share with your allies.
It's possible, in a poem or short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things—a chair, a window curtain, a fork, a stone, a woman's earring—with immense, even startling power.
The 21st century is going to be the American century. Because we lead not only by the example of our power, but by the power of our example. That is the history of the journey of America.
One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain.
There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.
Entranced by the denotative power of words to define, to order, to represent the things around us, weve overlooked the songful dimension of language so obvious to our oral [storytelling] ancestors. Weve lost our ear for the music of language -- for the rhythmic, melodic layer of speech by which earthly things overhear us.
Like all magnificent things, it's very simple.
A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
C++ is in that inconvenient spot where it doesn't help make things simple enough to be truly usable for prototyping or simple GUI programming, and yet isn't the lean system programming language that C is that actively encourages you to use simple and direct constructs.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
Language is power, in ways more literal than most people think. When we speak, we exercise the power of language to transform reality. Why don't more of us realize the connection between language and power?
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