A Quote by Charles Bukowski
Your writing", she said to me, "it's so raw. It's like a sledgehammer, and yet it has humor and tenderness. . . .
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She looked at his young face, so full of concern and tenderness; and she remembered why she had run away from everyone else and sought solitude here. She yearned to kiss him, and she saw the answering longing in his eyes. Every fiber of her body told her to throw herself into his arms, but she knew what she had to do. She wanted to say, I love you like a thunderstorm, like a lion, like a helpless rage; but instead she said: "I think I'm going to marry Alfred.
When I was in college I started writing prose, because a very smart professor asked me what I like to read and I said, "Novels," and she said, "You should be writing them then." Memoir never even occurred to me. I think I was afraid of nonfiction and I was afraid of navel-gazing, and of being seen.
Each time we had a visiting writer, I asked what she thought of women and humor. By the end of the year, I had perfected my question and asked Adrienne Rich why there was so little written about women and humor. She looked at me right in the eye and said, 'You write it.' I took that as an order.
I like telling stories with a sense of humor. But humor can also distance you from the subject you're writing about. I'm interested in using humor as a portal to something a bit more serious.
One thing a girl has to have is a good sense of a humor. I'm a really laid back guy who can find humor in just about anything, so my girlfriend would need to be a little like that too. She doesn't have to be a big jokester, but to me finding humor in things and not taking too much too seriously is a way of enjoying life, so that is important to me.
She asked me what was wrong, and I told her I had to end it. She was surprised, and asked my why I thought so. I told her it wasn't a thought, more a feeling, like I couldn't breathe and knew I had to get some air. It was a survival instinct, I told her. She said it was time for dinner. Then she sat me down and told me not to worry. She said moments like this were like waking up in the middle of the night: You're scared, your'e disoriented, and you're completely convinced you're right. But then you stay awake a little longer and you realize things aren't as fearful as they seem.
It needs to be said that sometimes my mom forgets important details when she talks. Like the time she told us she was considering leather (couches, it turns out), or when I was little and she said, "Here's a napkin to put your balls in" (the Atomic Fireballs that I was eating, she meant).
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it.
She'll really tell me [what she thinks]. Like today I'm wearing brown suede pants, and she said, 'I don't like your pants.' But then she'll say, `You've got to wear these shoes.' Or 'That's so pretty, Mom. Wear that.' She's got a great eye.
We were watching 'Madagascar' and Carmen asked me, she said, 'Is the zebra a boy or a girl?' and I said, 'He's a boy,' and she said 'How do you know?' and I said, 'Because I know him. I actually know all the actors that are doing the voices.' And she looks at me and she's like, 'You know a zebra? You know a talking zebra?'
Have you finished your column for tomorrow's headline?" It was Vee. She came up beside me, jotting notes on the notepad she carried everywhere. "I'm thinking of writing mine on the injustice of seating charts. I got paired with a girl who said she just finished lice treatment this morning.
Many things have been written, including by me, linking humor and pain. Mostly, in my case, the humor part keeps me sane. If I spent all my hours writing things like "Fatal Distraction," I'd become a brooding, erratic melancholic. I'd be Raskolnikov.
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
Try saying this: 'What's true for me today is that I have angry feelings concerning what I heard you say when you said what you said. It reminds me of what my mother said when she said what she said, and that hurts me so that's where I'm at with this, and it's not all right with me for today.' This should help to avoid a lot of communication problems.
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