A Quote by Charles Bukowski

I hid in bars, because I didn't want to hide in factories. — © Charles Bukowski
I hid in bars, because I didn't want to hide in factories.
when I hide something, it stays hid, until I want it found.
We went from candy bars, to handle bars, to hangin' in bars, to being behind bars
If you want to be a chef or a scientist, you've got to know what the current thinking is, so if you want to write comics or draw comics find out what the very best ones are and look at them all and then you'll know where the bars are because the bars are often very high, if you are going to make a splash and make yourself known, you need to get to that level.
If you don't have customers to sell to, you can't commit to anything with textile factories or manufacturing factories because you don't know if you'll be able to sell the quantities they're asking you to fill.
I can't put bars on my insides; my love is something I can't hide.
China is investing in factories in Eastern Europe, not because their labor costs are lower, but because they want to be closer to their markets.
We go to Europe, and they think we're totally prejudiced 'cause we hang the bars and stripes. But for us, the bars and stripes doesn't mean we want to see anybody in slavery or anything like that. It's just our heritage. To us, the bars and stripes means grits, 'y'all,' and the beauty of the South. There's no prejudice at all in that with us.
To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.
But recently I began to feel that maybe I wouldn't be able to do what I want to do and need to do with American musicians, who are imprisoned behind these bars; music's got these bars and measures you know.
It is all around us, hidden in plain sight. It is walking our streets, supplying shops and supermarkets, working in fields, factories or nail bars, trapped in brothels or cowering behind the curtains in an ordinary street: slavery.
If I may add, for instance, [Martin Luther] King and these others will say that they are fighting for the Negro to have equal job opportunity. How can people, a group of people, such as our people, who own no factories, have equal job opportunities competing against the race that owns the factories?The only way the two can have equal job opportunities is if black people have factories as, as well as white people have factories.
Classical musicians do this all the time. They want perfection. So they piece things together. Eight bars of this and six bars of that. Glenn Gould said that with a recording he wanted to make perfect versions of pieces.
I've been around watch factories and had the chance to visit some factories.
If circumstances lead me, I will find Where truth is hid, though it were hid indeed Within the centre.
Do not banish reason for inequality; but let your reason serve to make the truth appear where it seems hid, and hide the false seems true.
People opposing dance bars claim that a lot of money is wasted in bars. I want to ask them why not target five star hotels, too, where a lot of money is spent?
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