A Quote by Charles Bukowski

The poet, as a rule, is a half-man - a sissy, not a real person, and he is in no shape to lead real men in matters of blood, or courage. — © Charles Bukowski
The poet, as a rule, is a half-man - a sissy, not a real person, and he is in no shape to lead real men in matters of blood, or courage.
Real men don't buy girls-they protect them. We're recruiting real men who have the courage to stand up against this issue.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
You know what matters? Touching people. Being a real person. Because when you're in front of real people, they gon' give you a real reaction.
I found that the best way to go about [ Black men ] is to produce better men. And I think if we get them at a younger age, and start teaching these young brothers the principles of manhood: That real men go to work everyday; Real men honor God; Real men respect and adore women - that's what real men do.
The Devil can so completely assume the human form, when he wants to deceive us, that we may well lie with what seems to be a woman, of real flesh and blood, and yet all the while 'tis only the Devil in the shape of a woman. 'Tis the same with women, who may think that a man is in bed with them, yet 'tis only the Devil; and...the result of this connection is oftentimes an imp of darkness, half mortal, half devil.
Real men know how to move as real men. Real men won't allow themselves to be disrespected. Real men aren't punks.
If all men lead mechanical, unpoetical lives, this is the real nihilism, the real undoing of the world.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
I have this coat that I got in a nefarious deal years ago. It's a Johnny Carson coat, and I've had it remade three times. It's mine all the time. Carson was a real man, and I thought, 'Coats for real men by real men? I'm in.'
We think that we live in a heterosexual society because most men are fixated on women as sexual objects; but, in fact, we live ina homosexual society because all credible transactions of power, authority, and authenticity take place among men; all transactions based on equity and individuality take place among men. Men are real; therefore, all real relationship is between men; all real communication is between men; all real reciprocity is between men; all real mutuality is between men.
Would that God would make hell so real to us that we cannot rest; heaven so real that we must have men there, Christ so real that our supreme motive and aim shall be to make the Man of Sorrows the Man of Joy by the conversion to him of many.
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.
As if you cut open a rag doll with a sill name, and found inside:Real intestines, real lungs, a beating heart and blood. A lot of hot, sticky blood.
We don't have to have blood relations in order to be brothers and sisters. Flesh and blood, those are just things that we're made of. In a real family, what matters is our hearts. We care, show concern and love. Anyone can be family too.
Am I really admitting that my sister is determined to marry a man she has only seen once and doesn't much like the look of? It is half real and half pretense - and I have an idea that it is a game most girls play when they meet an eligible young men. They just...wonder.
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