A Quote by Charles Bukowski

I used to lay drunk in alleys and I probably will again.Bukowski, who is he? I read about Bukowski and it doesn't seem like anything to do with me. — © Charles Bukowski
I used to lay drunk in alleys and I probably will again.Bukowski, who is he? I read about Bukowski and it doesn't seem like anything to do with me.
I never could figure out how those people like Bukowski could be both carousers and writers at the same time, because to me writing takes as much destructive energy as it takes to be a really good professional drunk.
'Blue Velvet' changed my life forever. It was like I'd always read Chaucer and suddenly discovered Charles Bukowski. It made me understand that there is poetry of sublime ecstasy and dark terror, and it spoke to a side of me that hadn't been reached before.
Bukowski said, "I know I'm good, so I like that people think I'm bad, because it gives me a dimension, effortlessly."
Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.
My favourite books are Charles Bukowski's 'Post Office' and 'Women.'
Approaching 50, I am living a life that is less sunlit Waldman/Chabon than tattered Charles Bukowski.
Reading Bukowski and Burroughs and Henry Miller doesn't necessarily mean that a kid is going to try to emulate their debauchery to the point that Nic did, but he really was fascinated by it.
When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.
In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
I discovered John Fante when I was 17 years old - strangely, not through Charles Bukowski, but through William Saroyan, who was his drinking buddy.
I used to be the hippest of them all. I used to know everything about everything. I used to read about everything that was going on, and I knew everybody's name and anybody in pop culture. Anything that was written about me, I would read.
For many years I thought, "Well, I need to know a lot more to direct." But I looked around and watched all the people I know directing and thought, "No. I just need to know what I want it to be." Then there will be a lot of people to help me get it to there, especially Bobby Bukowski, he's a brilliant cinematographer.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
If you're going to be a writer you should sit down and write in the morning, and keep it up all day, every day. Charles Bukowski, no matter how drunk he got the night before or no matter how hungover he was, the next morning he was at his typewriter. Every morning. Holidays, too. He'd have a bottle of whiskey with him to wake up with, and that's what he believed. That's the way you became a writer: by writing. When you weren't writing, you weren't a writer.
For my generation - the "Children of Nixon," as I call us in the book - the Lebanese civil war was an iconic event. Downtown Beirut became a metaphor for so many things: man's inhumanity to man, what Charles Bukowski called "the impossibility of being human." It shaped our perceptions of war and human nature, just as Vietnam did for our parents. We used it to understand how the world works.
The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.
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