A Quote by Charles Busch
At fifteen, it [ "Follies"] didn't have any kind of resonance with me, this show about regret and middle age.
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I don't go around thinking about regret; regret doesn't consume me as a person... I'm not certain about whether any writer, any artist, any musician, can write without regret, so I don't think perhaps it's even particularly Southern.
Today age segregation has passed all sane limits. Not only are fifteen-year-olds isolated from seventy-year-olds but social groups divide those in high school from those in junior high, and those who are twenty from those who are twenty-five. There are middle-middle-age groups, late-middle-age groups, and old-age groups - as though people with five years between them could not possibly have anything in common.
What's wonderful about Tolkien and Shakespeare is that they show up your own individual microscope. They're so infinitely vast. You can reinterpret them in so many ways. Each age will have its own resonance with Lord of the Rings.
I can't get over that at this age I don't feel this age. I'm not trying to be any younger. I'm not lying about my age. If I were lying about my age, I would say I was 89. I'm just at one of those good times in one's life. I'm at one of the high spots. I'm healthy enough to enjoy it. I'm surrounded by friends I adore. Isn't that kind of the best way to sign off?
I was fifteen in college at Tulane. I lied about my age in college so that I could be normal socially. So that girls would go out with me and stuff like that. I just said I was normal age.
Middle age is when your age starts to show around your middle.
Western elites - the beneficiaries of 60 years of peace and prosperity achieved by the sacrifices to defeat fascism and Communism - are unhappy in their late middle age, and show little gratitude for, or any idea about, what gave them such latitude. If they cannot find perfection in history, they see no good at all.
We cannot bring ourselves to believe it possible that a foreigner should in any respect be wiser than ourselves. If any such point out to us our follies, we at once claim those follies as the special evidence of our wisdom.
I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.
The greatest of follies is to sacrifice health for any other kind of happiness.
I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
You don't realize what fine fighting material there is in age. ... You show me any one who's lived to over seventy and you show me a fighter - some one who's got the will to live.
Show me the man you honor; I know by that symptom, better than by any other, what kind of man you yourself are. For you show me there what your ideal of manhood is; what kind of man you long inexpressibly to be.
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured that greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. I fear the disease is incurable.
Music is completely not reality. There's nothing about music that has any meaning at all. A lot of people disagree with that, but it's basically true. You can listen to a piece of music, and fifteen people will give you fifteen answers of what it's about.
In middle age we are apt to reach the horrifying conclusion that all sorrow, all pain, all passionate regret and loss and bitter disillusionment are self-made
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