A Quote by Charles Caleb Colton
Eloquence is the language of nature, and cannot be learned in the schools; but rhetoric is the creature of art, which he who feels least will most excel in.
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Men have various subjects in which they may excel, or at least would be thought to excel, and though they love to hear justice done to them where they know they excel, yet they are most and best flattered upon those points where they wish to excel and yet are doubtful whether they do or not.
I believe it is no wrong Observation, that Persons of Genius, and those who are most capable of Art, are always fond of Nature, as such are chiefly sensible, that all Art consists in the Imitation and Study of Nature. On the contrary, People of the common Level of Understanding are principally delighted with the Little Niceties and Fantastical Operations of Art, and constantly think that finest which is least Natural.
When thou art quiet and silent, then art thou as God was before nature and creature; thou art that which God then wats; thou art that whereof he made thy nature and creature: Then thou hearest and seest even with that wherewith God himself saw and heard in thee, before every thine own willing or thine own seeing began.
The language of the heart--the language which "comes from the heart" and "goes to the heart"--is always simple, always graceful, and always full of power, but no art of rhetoric can teach it. It is at once the easiest and most difficult language--difficult, since it needs a heart to speak it; easy, because its periods though rounded and full of harmony, are still unstudied.
He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.
I just don't think people get off on language anymore. Language used to be an elevated art. It used to be for people what music can be. But people don't learn to do that anymore, so eloquence is merely a matter of waste. Who needs a good vocabulary and proper English? Eloquence - it's dead and who needs it?
Photography is a bridge between science and art. It brings to science what it needs most, the artistic sense, and to art the proof that nothing can be imagined which cannot be matched in the counterpoints of nature.
Praying is the same to the new creature as crying is to the natural. The child is not learned by art or example to cry, but instructed by nature; it comes into the world crying. Praying is not a lesson got by forms and rules of art, but flowing from principles of new life itself.
One can understand nature only when one has learned the language and the signs in which it speaks to us; but this language is mathematics and these signs are methematical figures.
The transition from Religion to Scientific contemplation is a violent, dangerous leap, which is not to be recommended. In order to make this transition, art is far rather to be employed to relieve the mind overburdened with emotions. Out of the illogical comes much good. It is so firmly rooted in the passions, in language, in art, in religion, and generally in everything which gives value to life. It is only the naive people who can believe that the nature of man can be changed into a purely logical one. We have yet to learn that others can suffer, and this can never be completely learned.
Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive.
If something's public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there's grammar, then there's rhetoric, and rhetoric's usually seen as a kind of degraded method, because you're trying to persuade.
My advice to those who which to learn the art of scientific prophesy is not to rely on abstract reason, but to decipher the secret language of Nature from Nature's documents: the facts of experience.
Rhetoric is rooted in an essential function of language itself, a function that is wholly realistic and continually born anew: the use of language as a symbolic means of inducing cooperation in beings that by nature respond to symbols.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
It is justly considered as the greatest excellency of art to imitate nature; but it is necessary to distinguish those parts of nature which are most proper for imitation: greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness. If the world be promiscuously described, I cannot see of what use it can be to read the account; or why it may not be as safe to turn the eye immediately upon mankind, as upon a mirror which shows all that presents itself without discrimination.
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