A Quote by Charles Caleb Colton
If often happens too, both in courts and in cabinets, that there are two things going on together,--a main plot and an under-plot; and he that understands only one of them will, in all probability, be the dupe of both. A mistress may rule a monarch, but some obscure favorite may rule the mistress.
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Ah, yet, e'er I descend to th' grave, May I a small House and a large Garden have. And a few Friends, and many Books both true, Both wise, and both delightful too. And since Love ne'er will from me flee, A mistress moderately fair, And good as Guardian angels are, Only belov'd and loving me.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
In bad or corrupted natures the body will often appear to rule over the soul, because they are in an evil and unnatural condition. At all events we may firstly observe in living creatures both a despotical and a constitutional rule; for the soul rules the body with a despotical rule, whereas the intellect rules the appetites with a constitutional and royal rule. And it is clear that the rule of the soul over the body, and of the mind and the rational element over the passionate, is natural and expedient; whereas the equality of the two or the rule of the inferior is always hurtful.
In France, for example, it is not unusual for a husband to have a wife and a mistress. However, if in addition to these two he's also having a fling with a fringe tootsie, both the wife and the mistress are outraged and the combination lover, husband, and cheat may well wind up with a large French bread knife between his ribs.
May peace rule the universe, may peace rule in kingdoms and empires, may peace rule in states and in the lands of the potentates, may peace rule in the house of friends and may peace also rule in the house of enemies.
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
10 Rules for Being Human: Rule #1 - You will receive a body. Rule #2 - You will be presented with lessons. Rule #3 - There are no mistakes, only lessons. Rule #4 - The lesson is repeated until learned. Rule #5 - Learning does not end. Rule #6 - "There" is no better than "here". Rule #7 - Others are only mirrors of you. Rule #8 - What you make of your life is up to you. Rule #9 - Your answers lie inside of you. Rule #10 - You will forget all this at birth.
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
Jesse Jackson's in trouble. They're going after this tax thing. Jesse said he will amend his taxes to show the money that he paid to his mistress. See, he has just one mistress. Jesse uses the standard mistress deduction. As opposed to Clinton, who had to itemize.
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
You will have significant experiences. I hope that you will write them down and keep record of them, that you will read them from time to time and refresh your memory of those meaningful and significant things. Some may be funny. Some may be significant only to you. Some of them may be sacred and quietly beautiful. Some may build one upon another until they represent a lifetime of special experiences.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
The policy that can strike only while the iron is hot will be overcome by that perseverance, which ... can make that iron hot by striking and he that can only rule the storm must yield to him who can both raise and rule it.
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