A Quote by Charles Dance

Most films are written and made with a hero around 35, or even 25. — © Charles Dance
Most films are written and made with a hero around 35, or even 25.
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
Most of the films that I've written, made in my life, I've written. Not all, but most I would say.
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
I am probably the only actor who came from television serials to films and was able to work in films this long. Of the 75-odd films I've done, in around 40 of them, I've been the hero.
I have done several films and it is only if the character appeals to me, whether as a hero or as a second hero, that I go for it. That's been my attitude toward films.
My firm has 25,000 high-net-worth clients. A typical account would be that of a couple aged 65 and 60 who need their money to last the rest of their lives, 25 to 35 years.
Even American artists are terrorized by market forces. If one can't see the films, my wings are clipped. I am no longer concerned about this, because I'm focused on making films. Perhaps one day someone who discovers sunken treasures will reexamine my 35 or 36 films - I hope it will be 40 or 50 before I die.
I can only write new words at my desk, the one I've owned for 25 years. When we moved to our new house I designed my office around it. I've written everything I've ever written at this desk.
Most feature films are 35-40 shooting days.
Even though we've written epic poems and made incredible films about love, I still don't think anyone can understand what it is, or why it means everything.
My painting and writing has always been parallel. That's why probably where my colleagues have done 300 films, I have done only about a 100, out of which I'd say at least 30-35 films I am even proud of.
When you are 25 or even 30, you can just do things. When you get to 35, things are different. Time is more precious to me now. I've got my priorities.
Playing Mark Antony in Julius Caesar was the most thrilling thing I've done. You get these speeches that were written for men, and you're running around like an action hero, climbing scaffolding and beating people up. It was very freeing.
The written word can be powerful and beautiful - but films transport us to another place in a way that even the most evocative words never can.
The older we get, the more we desire to reclaim our body at 25; we'll take our face at 35, the elasticity of our mind at its most powerful, to return ourselves somehow to our most vital moment of rigor and protean creation.
For the most part, romance is written in third person, and it's written in multiple points of view, so you're in the hero's head, and you're in the heroine's head. I've always said that I'm more of a narrator than a creator.
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