A Quote by Charles Darwin

The willing horse is always overworked. — © Charles Darwin
The willing horse is always overworked.
The horse must perform from joy, not subservience. Praising a horse frequently with voice, a gentle pat, or relaxing the reins is very important to keep the horse interested and willing.
My horse needs to be quiet enough not to draw my attention. You want your horse always aware of you. Be aware of your horse! Fidgeting? Direct that! Think of it as a gift. Do something with that energy; redirect it or it will be a negative. Don't let your horse check-out. A horse wants peace. Trade movement for peace.
He’s sort of a homeless horse,” I said. “I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.” “Who would put a horse in an apartment? That’s dumb.” “Where’s the horse staying now?” “My apartment.” “I can always count on you to brighten my day,” Ranger said. And he disconnected.
I dreamed horse and lived horse and expected, if necessary, to marry a horse; for all practical purposes I was a horse.
I often tell people that I truly want the horse to be my feet and legs. I want to be an extension of the horse and him to be an extension of me. That's what I'm always working toward when I'm on a horse.
How the horse dominated the mind of the early races especially of the Mediterranean! You were a lord if you had a horse. Far back, far back in our dark soul the horse prances...The horse, the horse! The symbol of surging potency and power of movement, of action in man!
I'm always pretty overworked with commercial illustration or design or animation.
I don't mind when my horse is left at the post. I don't mind when my horse comes up to me in the stands and asks, "Which way do I go?" But when the horse I bet on is at the $2 window betting on another horse in the same race...
I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.
Actors always lie about horse-riding, and it ends terribly. I can horse-ride... ish.
If the human isn’t responsible for their role in the horse human relationship, horses just don’t get along very well. So that’s why I say it’s all about the human meeting the bill to fit the horse in any given situation. But don’t expect the horse to always fit the human.
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man standing alongside the road, shouts, «Where are you going?» and the first man replies, «I don't know! Ask the horse!» This is also our story. We are riding a horse, and we don't know where we are going and we can't stop. The horse is our habit energy pulling us along, and we are powerless.
I've always overworked in the weight room. I love working with weights. I knew they'd give me the strength I needed.
What Plato was really asking was perhaps why a horse was a horse, and not, for example, a cross between a horse and a pig.
I would rather be the only horse in a one-horse town than be the third horse in a big city.
I got on a horse when I was about 12 years of age, and started galloping around. my mother came up said "where did you learn to ride a horse?" I said "this is the first time I've ever been on a horse" I just knew, I just felt the horse.
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